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TV Casualty's Christmas Crackers

Christmas was designed for TV. The combination of debilitating meals, cold weather, time off work and a high family member per square metre ratio conspire to make silently vegging out in front of the box an extremely attractive option. And just as normal concepts of time go out the window (can you truthfully see anything but a hungover black smudge when you think of the 1st January?) so too does normal scheduling. For these two or three days of the year we are a captive audience and the listings positively twinkle with festive delights – if you know when and where to look. All too often however the pressure of buying presents, talking to people and the omni present box set mean that some of the best shows are neglected, only coming to light days or weeks later with a passing glance at the TV guide as the Duchess tosses it into the recycling.

Therefore to avoid tears before New Year’s TVC, being the essentially philanthropic enterprise it is, has assembled the very best of viewing in one tragically under visited website. This means that all you have to worry about it whether to drag the TV into the kitchen or bring the mountain to Mohammed.

Surrender your senses to TV Casualty good citizen as we play spot the pun and fly – snowman style – through the wild and varied digiscape of Christmas TV land.

Kicking off Christmas Eve Gordon Ramsay sticks one to the yanks in Ramsay’s Kitchen Nightmares USA (C4, 9PM) where we presumably get to see Gordon hawk his highly sellable mix of humiliation and inspiration to our American cousins. As we all know by now, Gordon doesn’t mince his words and demands his subjects eat a large slice of humble pie so it will be interesting to see how this plays out across the pond. Completing his monopoly of prime time Channel 4 we are also being given The Best of The F Word (C4, 10pm) followed, bizarrely, by Ramsay’s “favourite film” Sexy Beast. (C4, 11:10pm)

If you couldn’t give a stuffing about Gordon or think his favourite flick is a turkey (It isn't, though I can’t imagine him sitting still long enough to watch one film, never mind enough to justify a favourite film) then ITV 2 is the place to be as they run a double bill of petrol headed thrillers The Fast and the Furious (ITV2, 9pm) and 2 Fast 2 Furious (ITV2, 11pm.) It may surprise you to learn this but behind the rapier wit and sophisticated veneer of TVC beats the heart of a moron, so this potent mix of cars, girls and guns will make its presents felt...

If none of that does it for you then back to back episodes of Father Ted (More 4, 9pm) should ensure a warm rosy glow in the living room before you hightail it up the stairs so Santa can fill your stocking in peace. If that doesn’t satisfy, your dead and I can’t help you.

Moving into the big day EastEnders (BBC1, 6:20pm & 8pm) stands out as a deal breaker. Bradders and Stacey have been grinning out of the cover of every TV guide worth its salt for the last few weeks now to maximise the effect as Max and Stacey’s affair is exposed to a stunned Brannan Family Christmas via the under-rated medium of video. Aside from that it will snow, Good King Wenceles will be played by a brass band and everyone will end up in paper hats in the Vic – a traditional East End Christmas.

As EastEnders begins its second showing of the day Harry Hill’s Christmas TV Burp (ITV, 8pm) gets underway on ITV. I probably should leave this out considering it is “an irreverent look at the Christmas TV schedules” and will no doubt expose TVC for the imitative, third rate sloppy mess it is, but that would be unprofessional. The man is a genius and as soon as I loose my hair and get a few shirts with outsized collars I’m moving into TV. Watch this.

Film-wise The African Queen (C4, 6:10pm) ticks the “they don’t make ‘em like they used too” box as Humphrey Bogart and Katherine Hepburn star as the drunken sailor and prim missionary taking lumps out of each other in the Congo, and The Motorcycle Diaries (C4, 10:35pm) biopics a youthful Che Guevara as a trip around South America sows the seeds of revolution in his soul.

If you’re still left groping in the dark despite this, you can turkey fart your way through back to back Peep Show (E4 from 9pm) while The Sopranos (More 4, 12:40am) continues to storm its way through the back catalogue heedless of man or religion.

Break out the box sets on Boxing Day as the schedule looks pretty bereft, I’ll be working my way through Arrested Development. Highlights for the next five days of Christmas include the last ever series of Extras (Thursday 27th December BBC1, 9pm) which includes cameos from David Tenant, George Michael, Gordon Ramsay and Clive Owen (?,) the first episode of the new series of Shameless (New Years Day C4, 10:10pm) and Meet the Fokkers (Friday 28th December BBC 1, 8:30pm.)

Ignore this advice at your peril, and have a good Christmas.

Brannan vs Mitchell

My devotion to Eastenders has recently been on an upward trend as events in the soap begin to take a promising turn for the wretched.

Not since the Krays Chinese Smiled their way round the ol’ East End in the 50’s and 60’s has London seen the likes of what is about to kick off in the otherwise quiet leafy suburb of Watford. Mark my words, it’s going to be a red Christmas in the square as the cobbles get an overdue taste of Mitchell blood.

All the evidence points to a full scale war; Jim has gone into hiding, most likely to direct operations from a heavily fortified compound safe from Mitchell bullets. Bradders, masking an icy intellect behind his ruddy faced hang-dog optimism has taken control of the Market, weeks after suspiciously quitting a high powered city job to “assist” the Market Inspector (whereabouts currently unknown.) Jack, the Brannans’ “man on the inside” has duped his way into a controlling share in a Mitchell enterprise, while the loose coalition between the Brannans and the Beales looks set to become official as Lauren and Peter prepare to enjoin the families in blood.

In contrast the Mitchell Family has never looked weaker. Having failed to produce an heir of any substance in Ben, Phil has taken it upon himself to provide the sole muscle of the operation. Attempts to recruit a Soldier in Jason have so far failed, and while Peggy, Ronnie and Roxy managed to face down the bailiffs as an impressive trio of no-nonsense broads, recent in-fighting is causing divisions that will take more than a few vodka shots to heal.

The gloves are off, and despite loose cannon Steven Beale threatening the entire plan with a premature blazing of Mitchell’s Motors (note Stacey earning her stripes,) things are falling into place that could see the historic seat of the Mitchells change hands before the New Year rings in…

While one world disintegrated, another was saved as Heroes reached its foregone, if no less dramatic finale last Thursday, opting to end things in the time honoured tradition of a double-bill.

Although we never really expected the creators to inflict September the 11th times a thousand on New York, the finale to this highly watchable if a little trashy American export lived up to the hype, and avoided the misty eyed American patriotism that I always suspected lurked at its core.

I wont give too much away, as I know for many this show is a hang-over box set waiting to happen, but its suffice to say its worth sticking around, if only for the Evil Dead –like leader into season two which is no doubt mere months away.

Crapford


The first few days after a dispatch are usually spent in blogger post coitus. I drift from Eastenders to the news then back, perk up for the Sopranos then float into bed for thirty minutes or so with Mario Puzo’s grinning Godfather and friends. I then slip into a deep slumber for a restful night dreaming of garrotings, two-tone wingtips and cannelloni.


Towards the end of the week however things begin to change. I get the itch, and realise I better watch something new soon or risk my reputation with dead air. This week however, the Greater Manchester Bender Weekender got in the way, and I arrived back on Sunday evening an emaciated, dehydrated, and very worried blogger indeed.

Despite the ticking clock however and in a move the great Don would have been proud of, I made a few key decisions and managed to consolidate my media consumption into a manageable 24 hour morsel, and in doing so stoked the fires once more for the informed, witty and ever reverential phenomena that you have come to love and hate as TV Casualty.

On Sunday night Mothers and Grans everywhere were no doubt boiling the kettle in anticipation of Cranford, the latest period drama to satiate the seemingly endless appetite among the British public for bonnets, bodices and bootstraps. Sunday night’s transmission was my second episode, and showed no change of pace as events lumbered on almost imperceptibly.

Set in a rural village in England, the storyline largely revolves around the goings-on and jolly hi-jinks associated with the arrival of a new young doctor in the town. When not giggling about the new doctor, the six or so women who make up the citizenship routinely go into fits about a new railway line and the Irish, who comprise an as yet unseen malevolent presence ready and waiting to corrupt everything they hold dear.

This episode saw Dame Judy Dench, (cast against type as strong, dignified and English) lose her sister then narrowly miss out on her last chance of happiness without shedding a single tear. Meanwhile, a rapscallion Scot with a twinkle in his eye causes good natured havoc, and the Lady of the Manor steps down from her perch to intervene in the wrongfully arrest of vagabond Jambo from Hollyoaks, in doing so saving him and his one hundred snivelling brat kids.

As you might of guessed, Cranford didn’t overly impress, and in a bid to redress the balance I opted to spend my day off in a dark room with strangers in search of something far more up my street.

Following the entwined fortunes of African-American Gangster Frank Lucas (Denzel Washington) and the honest New York detective tasked with busting his smack ring (Russell Crowe) American Gangster puts a black perspective on the mafia power struggles that gripped New York in the 60’s and 70’s.

The action joins Lucas after his boss and mentor Bumpy Johnson dies, setting him out on the ambitious goal of flooding the streets of Harlem with cheap, good quality heroin from Vietnam. As his operation grows in size, so too do the difficulties involved with keeping the business safe from corrupt cops, rival gangsters and the investigation of Russell Crowe’s drug trafficking task force.

The film is a brave attempt to breathe new life into the genre at a point where my old friend the Soprano’s seems to have said all there is to say on the matter, which at times it succeeds in doing. However, a fatal flaw lies in the film’s apparent inability to adequately balance feelings of admiration and revulsion for the central character, the dichotomy on which all good gangster films make their bones. We never really get under the skin of Lucas, and he never gets under ours, with the end result that his fate becomes largely unimportant.

In addition, It is impossible not to draw comparisons between American Gangster and other mob movies. The poster, set in the black and white hues redolent of Scarface, practically begs it, while the title of the movie places it firmly within and up against the genre. This is a brave tactic and not one which always pays off, as the film balances familiar themes of fraternal betrayal (The Godfather,) police corruption (Serpico,) the dark side of the American dream (Scarface,) and the Irish (Cranford) with the business of telling the story at hand. One good thing to come out of the film however is the city itself, which takes centre stage as New York emerges as decaying and lawless city of bleached beauty and decrepit magnificence.

For fans of the gangster movies, American Gangster is a watchable if flawed addition to the genre, though less than avid viewers probably shouldn’t bother. Although the movie offers a different take on what has previously been dominated by Italian, and to a lesser extent Irish characters, it doesn’t say anything new or with enough eloquence to give it any stand alone appeal.

Ahh!

The MIGHTY Boosch

Somewhere around the third shit of the day it hits you. Something is not quite right.

What had been a curious but not unwelcome opportunity to catch up on your reading starts to take on more sinister and worrying dimensions. Your brain automatically googles “food poisoning” and that last sausage flashes up instantly. This is a bad time for you boy, and its not about to get any better.

Unfortunately, the same can often be said for the world of film and television. Take the Godfather trilogy. After two masterpieces of epic importance and pop cultural gravitas, part three bombed like New Coke and to this day casts an icy shadow over its predecessors. Likewise, Peep Show began to loose a little of its edge on its third run and I won’t even get started on the third Sting album.

Others however, rightly recognise the simple beauty of the couplet. Spaced did, prudently calling it quits before money or ego stretched the formula. Similarly, Fawlty Towers earned its place in Sitcom royalty on the back of a mere 12 episodes. These shows recognised the old showbiz adage that you should always leave the crowd wanting more, instead of subjecting us to a dragged out and undignified death the wrong side of primetime. It would seem therefore, that as with many other things in life, when it comes to TV (especially good TV) three is often a crowd, and gooseberries can be real shits.

These were the fears with which I nervously awaited the third series of The Mighty Boosh. Having found little to fault and much to love in the first and second series, the cautious and essentially pessimistic side of my hexago-nature warned me not to hold my breath for more of the same. However, as Machiavelli so consistently points out, you don’t get anywhere in life without taking a few risks, and Victory was definitely on the side of Barrett and Fielding last week as The Mighty Boosh stormed back for another crack of the funny bones.

Set in a shop in Shoreditch, the first episode finds Vince and Howard home alone as Naboo and Bollo go on a stag weekend. As the episode progresses we soon find we are on familiar ground as the trademark creepy characters, inventive sets and kitsch elements combine with an increased budget to conjure a kaleidoscope of offbeat and irregular comedy. The songs are still in there, as are the moon cut-aways, while the chemistry of the two main characters maintains the balance and equality that marks and elevates all good double acts.

Although this isn’t simply a rehashing of the earlier efforts; In this series, for the first time as far as I can tell, TMB is starting to turn its considerable strength outward against elements outside its world. “Eels” veers into Nathan Barley territory as the show takes a few pops at the Shoreditch elite and Nu-Rave in equal measure, suggesting perhaps a reflex to the increasing popularity of the programme as it drifts to the mainstream. However, with appearances by Razorlight and The Horrors scheduled for later in the series, the satire is unlikely to hack all the way to the bone. No bad thing in my opinion, as going too far down this path would risk sacrificing some of the fun of the show.

As such, those suspicious belly rumblings must have just been nerves, as TMB looks set to score a hat trick with the third series. For now at least, I can take solace in the fact that greater men than I have dared and won once more.

Also, dont worry if you miss it on thursdays, as its repeated eight times during the week

IS THIS A BAROMETER OF SOMETHING GREATER, OR AM I JUST A RANTING BEDWETTING BASTARD?

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Korea has the priciest Guinness pints in the world. Not surprising, since ANYTHING foreign is ass-rapingly expensive here. It sums up this society's attitudes towards foreigners, really - that anything originating from outside their borders is hit with crippling tariffs. Japan is just a two and a half hour ferry ride away - AND they make some of the best cars and electronics in the world - yet you see almost no Japanese products in Korean stores, or on the road. Their contempt for the Japanese is the seed for their general contempt for all things foreign. It's strange... I'm generally treated very warmly by the Koreans who I come into personal contact with - I've come to love this culture in so many ways - yet on the societal scale I am reminded time and time again that foreigners are often viewed with mistrust, scorn, and derision.

I pay much less for a pint of Guinness in Busan, though it's still unreasonable. And before you accuse me of being a Korea hater, know that I like my life here and have had a good run, but it can be a MASSIVELY frustrating place to live, and is getting even more so.

I still haven't posted about the upcoming changes in visa regulations, changes which may single-handedly destroy the whole ESL industry here. I'll post about it soon, but just know that what started out as a legitimate concern about the criminal background of folks coming to teach here has quickly morphed into a xenophobic overreaction with no thought on its actual impact. The current changes proposed are totally punitive in nature, punishing the whole of the ESL teaching community because the Korean authorities have been lax in doing their own work of weeding out the scumbags.

Who would've thought, really? The Koreans usually think out their policies so well. They've never been known to act rashly...

Webcast Team Coverage of KOTESOL 2003

from Koreabridge's Live Webcast of the 2003 Kotesol Conference
October 18~19, 2003

Koreabridge Webcast Team Reporting
(David Cormier, Rob Dickey, Jeff Lebow, Sarah MacAdam, & Bonnie Stewart)
Throughout the conference, the webcast team did whatever we could to provide essentially non-stop coverage of the conference. This included chats with those who stopped by the Webcast Center, Sarah & Bonnie's 'Shock and Awe' interviews with conference particpants, and a variety of other guerilla reporting techniques.

The Rong and Winding Load

Location: 

The Rong and Winding Load

By John Bocskay

How two foreigners boarded an express sightseeing bus and were transformed into stammering degenerates.

 

They do as they please and no one can stop them: rise before dawn, pack into a bus, and start hitting it: partying all day on a bleary-eyed tour, shattering the peace of the countryside with their whoops and hollers, rocking and bouncing the bus on its axles along the freeway, dancing in a trance in the aisles, the pounding beat driving the revelers further and further…

 

This is not a Korean Kool-aid Acid Test, nor is it some Road Warrioresque brand of post-apocalyptic menace. These are Korea’s senior citizens – little old grandma and grandpa – and this is what they do every Sunday all across the Land of the Morning Calm.

 

I’d caught glimpses of the gosok gwan-gwang (express sightseeing) buses here and there, bearing down the freeways packed to the rafters, blaring music, every passenger up and rocking, arms flailing, bodies whirling, Is she screaming into a microphone?…and they pass in a flash and I wonder if I saw what I thought I saw. After a few such sightings, curiosity got the better of good sense and I booked myself a ticket to see what the hell was going on.

 

I woke up at the ungodly hour of six a.m. on a Sunday and immediately began to waver. The prospect of getting up on three hour’s sleep and pounding booze for the rest of that fine Sunday suddenly seemed like an outrageously stupid idea. My ever-faithful spiritual counselor, Ekim Darby, advised me to get up and go through with it. “Get up motherfucker,” he said as he ripped the covers from my bed, “I didn’t sleep on your sofa for nothing.”

 

I bitched and wailed, but Ekim was resolute. I had chosen my travel companion well, but I hated him then, at six in the morning.

 

Still half asleep, I realized that partying with a bunch of geriatrics would give me occasion to wear my best Hawaiian shirt, which, for some reason I’d rather not understand, always puts me in a perversely chipper mood. I sprang out of bed and we wolfed some toast, bolted out and caught the first cab. We were on the road for five minutes when the driver swerved hard to avoid the very first oncoming car, only just avoiding a head-on wreck. Brushing aside this foul omen, Ekim and I pondered our mission and blazed into the sunrise to meet the party bus.

                                                                  *

The spry old folks greeted us warmly at the pickup spot, and gave us hats identical to their own to complete our party gear. We rolled at eight, and the first bottles of soju starting popping at eight-thirty. The volume on the stereo spiked, and one person after another sprang up and danced in the aisles. The bus bounced and rocked. The smell of beer and tangerines clung to our sticky fingers. It was on.

 

I had come with a notebook and a notion to somehow document the trip, but I quickly found that it’s hard to write with beer in your lap and your elbow halfway up someone’s ass. Green and yellow disco lights illuminated the dancers when the bus passed through tunnels. The relentless pongch’ak-pongch’ak-pongch’ak beat sowed a child-like euphoria in the 70-year-old bodies. Nobody sat for long, and if they did, it was only to pour a beer or down a shot.

 

Very early we sensed trouble: these people were dangerously hospitable. Every one of the forty or so passengers on the bus at some point made their way to our seat, where glasses were raised again and again. I can forgive them for wondering what the fuck we were doing there, because I was wondering the same thing, but it was clear that we were the two most-welcomed cats on the bus, two stray foreigners along for the ride. It wasn’t long before the notebook was stashed and Ekim and I were dancing fools, twirling the old girls, screaming nonsense lyrics and shouting Oh Yeah! as we carved fresh tracks down the open morning highway.

                                                                   *

By maybe noon we reached our destination, the pastoral village of Uiryoung, which boasted the “sightseeing” attraction of our jaunt: a 500-year-old tree, which some monk had once hung a big drum on for some reason, back when the Japanese were up to no good, or maybe it was…

 

…Nobody gave a flying rat’s ass about the tree, and neither did I. Our giddy mob spilled off the bus and was already scampering past the twisted old hulk and down a narrow cement road flanked by fields of green onions to a small modern house, where a 90-year-old farmer was setting a long table. He had slaughtered a pig, and three women in towel-draped visors squatted around a bloody steel tub stuffing the intestines to make soondae. The booze was already flowing and the party was high and saying so to the once-peaceful hamlet.

 

Around the table we feasted on endless mounds of pork, and chased it with bottomless cups of soju and beer that rapidly warmed in the sun. Maybe it’s the children-starving-in-Africa images planted by my mother, or maybe simple gluttony, but I always eat as I ate then, which is to say, until I couldn’t eat another mouthful. And then I ate more.

 

As the eating slowed down, they started singing around the long table, keeping the beat with hands and spoons and chopsticks. They sang like this for perhaps an hour, and never stopped for lack of lyrics – everyone joining when they knew the words, and lone voices calling out the new direction when the verse ran out. The melody was the same haunting minor lilt one finds in many of the old songs. You wouldn’t be far wrong to call it Korean Blues: like its traditional American counterpart, it couches all the joy and trouble in the world in music that is communal, unadorned, and cathartic.

 

But soon someone located the tape deck and disco took over. The small country house started pulsating to the manic pongch’ak. The party quickly deserted the table, and Ekim and I were swept onto the dance floor, where everyone wanted a turn spinning us around, bottle-feeding us soju, and shoving us into the center to bust some American boogie-woogie. The room positively buzzed, and if you blurred your vision (which they did for us) you could have sworn you were in a room full of teenagers on Ecstasy.

                                                                    *

Around two o’clock we were enjoying a break in the shade by the side of the farmhouse, where they fed us more pork and rice. We had gorged ourselves not two hours before, and somehow this second round wasn’t considered a meal. To be polite, I made a half-hearted attempt at eating, and I managed to choke down a few mouthfuls. Chewing slowly and determinedly, I turned to Ekim and said, “This piece of pork in my mouth…”

 

“Yeah?”

 

“I can’t swallow it.”

 

I discretely spit the pork into a tissue. I was beyond full, and would have loved nothing more than to lie down for a heavy afternoon nap. But in the house to our backs the pongch’ak beat was thumping the walls, the unrelenting medley looping, driving, whipping them into a craze. We knew it wouldn’t be long before someone dragged us inside for another dance. The bouncy pongch’ak, which had before seemed so vibrant and innocent, began to take on dark and menacing tones.

 

Ekim had made a friend, a grandmother with enormous sunglasses and a soju grin. She was sitting next to him, and between ominous burps, kept thanking him for something.

 

“She keeps putting her hand on my thigh,” Ekim said uneasily.

 

Ekim was sometimes squeamish about the touchy-feeliness of Korean social customs. “Let’s change places,” I offered, “She can put her hand on my thigh for a while.”

 

So we switched places and she laid her hand on my thigh. Several times she raised the hand to cover her mouth when she belched, and several times when the hand flopped back down it missed both of my thighs and settled between them. “Thank you,” she mumbled. I understood.

 

Ekim was sizing up the courtyard. He asked me, “Have you considered jumping over that wall?”

 

I stroked my distended gut. “I wouldn’t make it. You?”

 

“Thinking.”

 

My new friend was still belching her thanks when I got up to take a piss. When I came back, Ekim was gone. Bastard, I thought, he’s probably trying to hitch back to Busan.

 

I had lost my confederate, and I felt momentarily alone as the impenetrable saturi swirled up and over my head. Being among Koreans, however, I wasn’t alone for long, and they considerately dragged me back to the dance floor. My stomach was near bursting and my head now in a thick funk. One old girl grabbed my hand and pirouetted under it for several minutes. I couldn’t watch. Everyone asked me where Ekim was. “He went for a walk,” I said. I wanted to strangle him.

 

I was losing it, so I slipped outside and opened my notebook. It was anti-social, but I was there to get some kind of story after all, and the notebook made whatever I was doing look sort of serious, so the ladies tidying up the courtyard left me alone. The one who had rested her hand on our “thighs” was now loudly snoring on the table. I envied her. Another fellow sightseer stumbled by and thrust his face into my notebook, repositioning it for a better look. He furrowed his brow for a minute trying to decipher my jagged shorthand, until he remembered he couldn’t understand English anyway and staggered back inside. I too am having trouble deciphering that garbage as I sit here now, but I’m pretty sure that my little notebook spared us the horrible spectacle of me launching half-digested pork all over that rapidly spinning room.

                                                                   *

Sometime later we said goodbye to grandpa farmer and headed back to the bus, where I found Ekim passed out across four seats. The nap seemed to do him some good, but we weren’t anywhere near home yet. Back on the freeway, people shoved bottles in front of our faces. They showered us with apples, tangerines, and chocolate-covered nuts. Our cups were never empty, which was all very wonderful, but on a bus of lions we were choking down the lion’s share. My belly stretched grotesquely and my head grew dark. Over the music, I shouted to Ekim, “They’re going to host us to death!” Ekim, a soggy paper cup clenched in his teeth like a feedbag, mumbled something I couldn’t quite make out.

 

The sun, the pork, and the booze had taken a heavy toll and we dozed off several times. Our kind hosts thought maybe we were bored, and in their concern they smacked our faces hard any time we drifted into unconsciousness, which was about every five minutes. I cautioned Ekim to be mindful of his p’oktanju pace and his manners. He was now jabbering like an idiot and swinging two long, limp cucumbers at the old ladies who were trying to drag him out into the aisle. They were pawing at him and shouting GET UP! DANCE! OH YEAH! A-SA!

 

Ekim was half crouched with his back to the window and was shouting NO! NO! NO! NO! and slashing and thrusting the flaccid cucumbers like a retarded Don Quixote. Good Lord, I thought, this is getting ugly. Though Ekim’s methods are sometimes crude, they’re nonetheless effective, and the dance invitations began to taper off. But Ekim, now reduced to a wild-eyed and muttering savage, still clung to his droopy cucumbers, which swayed like spent erections, limp totems against an equally impotent threat.

 

The ride back to Busan was taking forever: forty drinkers had broken forty seals, so the bus stopped what seemed like every forty meters for piss call. These people had danced, eaten, and drank circles around us, but what Ekim and I lacked in intestinal fortitude, we made up for now in bladder continence. At one piss stop, Ekim and I again remained in our seats while everyone else again scurried off. “Get up,” shouted one old lady, “You have to piss!” When I told her I really didn’t, she cocked her head sideways: Does not compute.

                                                                  *

 

I made it home at ten p.m. with a debilitating but familiar post-party feeling; I realized that these gwan-gwang tours are nothing short of full-blown raves. They lack none of the essential elements: A steady beat laced with lots of kooky electronic forays, trance-like dancing, complete disregard for life’s cares, hardcore commitment to revelry and community, large quantities of a mind-altering substance (soju), and the same rock-‘til-you-drop euphoria that drives their younger counterparts. If that’s not a rave, I don’t know what is. Actually, they made most raves I’ve attended seem tame and anti-social by comparison.

 

But cool though it was, it’s not for me. I’ll need at least another thirty years to get in shape for that mad scene.

 

 

 

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