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Janguisa Temple – 장의사 (Goseong, Gyeongsangnam-do)

Springtime at Janguisa Temple in Goseong, Gyeongsangnam-do.

Temple History

Janguisa Temple is located on the eastern slopes of Mt. Munamsan (459.4 m) in eastern Goseong, Gyeongsangnam-do. Janguisa Temple was first founded by the famed monk Wonhyo-daesa (617-686 A.D.) in 642 A.D. After its founding, nothing is known about the temple’s history. In 1885, Janguisa Temple was destroyed by flooding. The temple was rebuilt in 1891 in its current location, which is lower on the mountain than its original location. The temple was rebuilt, once more, by the monk Hobong in 1920. And the temple we know today was rebuilt in the early 1960s.

Janguisa Temple is home to one provincial treasure, it’s the “Goseong Janguisa Stone Gwanseeum-bosal Statue,” which is Gyeongsangnam-do Tangible Cultural Property #511. However, it should be noted that this treasure is currently off-limits to the general public, as it doesn’t appear inside any of the shrine halls at Janguisa Temple.

Temple Layout

You first make your way up to Janguisa Temple up a winding mountain road that overlooks the harbour from some distance. Along the way, you’ll pass by the slender Iljumun Gate. Eventually, you’ll arrive at the temple parking lot with the temple to your right.

You’ll pass between the administrative offices at the temple, as well as the Jong-ru Pavilion to your right. Housed inside the Jong-ru Pavilion is a beautiful bronze bell with images of Buddhas and Bicheon (Flying Heavenly Deities) on it. Crowning the bronze bell is a two-headed image of a dragon.

Around the corner, and to the left, you’ll enter into the main temple courtyard at Janguisa Temple. Looking straight ahead, you’ll see the Daeung-jeon Hall, which has just recently been repainted. The exterior walls to the main hall are vibrantly adorned with images of various Buddhas and Bodhisattvas like Bohyeon-bosal (The Bodhisattva of Power), Seokgamoni-bul (The Historical Buddha), Gwanseeum-bosal (The Bodhisattva of Compassion), Jijang-bosal (The Bodhisattva of the Afterlife), and Munsu-bosal (The Bodhisattva of Wisdom). In addition to these stunning paintings, there are also images of lotus flowers, Podae-hwasang (The Hempen Bag) and a collection of the Palsang-do (The Eight Scenes from the Buddha’s Life Murals). Stepping inside the Daeung-jeon Hall, you’ll find a main altar occupied by a triad centred by Seokgamoni and joined on either side by a green haired image of Jijang-bosal and Gwanseeum-bosal. And rounding out the interior of the main hall is a modern Shinjung Taenghwa (Guardian Mural) hanging on the far left wall.

To the left of the Daeung-jeon Hall is the administrative offices at Janguisa Temple, as well as the temple kitchen. In this area, and closer to the main hall, you’ll find an outdoor shrine dedicated to the Bodhisattva of Compassion. And to the right of the Daeung-jeon Hall, you’ll find the Cheonbul-jeon Hall. The exterior walls to this hall are adorned with fading murals of the Bodhidharma and various Buddhist related murals. Stepping inside the Cheonbul-jeon Hall, you’ll find a shrine hall filled with smaller statues of Seokgamoni-bul, Jijang-bosal, and Gwanseeum-bosal. This is repeated on the main altar, where you’ll find the exact set same with the central image being that of the Historical Buddha being joined on either side by the Bodhisattva of Compassion and the Bodhisattva of the Afterlife.

Between the Cheonbul-jeon Hall and the Daeung-jeon Hall, you’ll find a long flight of stairs. This leads up to the Samseong-gak Hall in the treeline. The exterior walls are adorned with simple dancheong colours. Stepping inside the shaman shrine hall, you’ll find four, instead of the more traditional three, shaman murals. The first, as you step inside, is the most original of the four. This painting is dedicated to Sanshin (The Mountain Spirit); but instead of it being a male Mountain Spirit, this image is of a female Sanshin. The painting is reminiscent of the image of a female Sanshin found at Daewonsa Temple in Jirisan National Park. To the left of this female Sanshin is a modern, black accented, mural dedicated to Chilseong (The Seven Stars). To the left of this central painting is an older painting, probably painted at the same time as the female Sanshin, dedicated to a dour-looking Dokseong (Lonely Saint). Finally, and hanging on the far left wall, is a seated image of Yongwang (The Dragon King) being accompanied by a yellow dragon.

How To Get There

The easiest way to get to Janguisa Temple is by taxi. From the Goseong Intercity Bus Terminal, you can catch a taxi to the temple. It’ll take under 15 minutes, over 10 km, and it’ll cost about 15,000 won (one way). If you’re going in a group, this is probably the best way to travel.

However, if you’d rather public transportation, you can take Bus #989 to get to Janguisa Temple from the Goseong Intercity Bus Terminal. You’ll need to take this bus for 10 stops and get off at the “Ma-dong” bus stop. In total, the bus ride should take about 25 minutes. From where the bus drops you off, and this is where it gets difficult, you’ll need to walk nearly two kilometres north, which will take about 40 minutes, to get to Janguisa Temple. In total, the travel time should be just over an hour depending on how fast you hike.

Overall Rating: 6/10

While definitely lesser known, Janguisa Temple has a few highlights which are most noticeably the female Sanshin (Mountain Spirit) housed inside the Samseong-gak Hall and the newly painted murals adorning the exterior of the Daeung-jeon Hall. On a clear day, you can enjoy the view out towards the harbour, as well as the bronze bell housed inside the Jong-ru Pavilion. Janguisa Temple definitely has a serene feeling to it.

The Iljumun Gate at Janguisa Temple.
Walking towards the main temple courtyard with the Jong-ru Pavilion to the right.
A look inside the Jong-ru Pavilion at the bronze bell.
The Daeung-jeon Hall (left) and Cheonbul-jeon Hall (right).
One of the Palsang-do (The Eight Scenes from the Buddha’s Life Murals) that adorns the exterior of the Daeung-jeon Hall.
A mural of Munsu-bosal (The Bodhisattva of Wisdom) that adorns the Daeung-jeon Hall.
Joined by this painting of Podae-hwasang (The Hempen Bag).
As well as this painting of dongja (attendants) and pink lotus flowers.
And this blue dragon.
The main altar inside the Daeung-jeon Hall.
Accompanied inside the main hall by this modern Shinjung Taenghwa (Guardian Mural).
Inside the Cheonbul-jeon Hall.
The long stairs leading up to the Samseong-gak Hall.
The female Sanshin (Mountain Spirit) at Janguisa Temple.
Joined by this mural dedicated to Chilseong (The Seven Stars) inside the shaman shrine hall.
As well as this older mural dedicated to Dokseong (The Lonely Saint).

Billy Go’s Korean Conversation Course | #6: Movie Theater – 영화관

We're up to episode 6 in my free 20 episode "Conversation Course." Each week I'll post one new episode until it's completed. This course is for learners who've already completed the basics and want to start diving into real, natural Korean conversations. If you feel this lesson is a bit too difficult, I recommend first watching my free "Beginner Korean Course" which has 100 episodes and will take you through all of the basics.

In this series I'll walk you through every sentence one at a time, explaining the vocabulary, grammar, and nuances of everything we encounter. Feel free to pause and take notes! These conversations are natural and real, so there's a lot we can learn.

The post Billy Go’s Korean Conversation Course | #6: Movie Theater – 영화관 appeared first on Learn Korean with GO! Billy Korean.

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Jukrimsa Temple – 죽림사 (Yeongcheon, Gyeongsangbuk-do)

Part of a Modern Stupa at Jukrimsa Temple in Yeongcheon, Gyeongsangbuk-do.

Temple History

Jukrimsa Temple is located in the southern foothills of Mt. Yubongsan (245.1 m) in southern Yeongcheon, Gyeongsangbuk-do. It’s believed that the temple was first built in 809 A.D., but the exact history of the temple is unknown. The only details that we really know is that Jukrimsa Temple was destroyed during the Imjin War (1592-98) and then later rebuilt. There were several reconstructions conducted on the temple during the 1800s. However, during the Korean War (1950-53), the temple was destroyed. After a few decades, Jukrimsa Temple was built, once more, starting in 1990. In the ensuing years, the Daeung-jeon Hall, the Samseong-gak Hall, the Eungjin-jeon Hall, and the Yosachae (monks’ dorms) were built at the temple.

Jukrimsa Temple is home to a Gyeongsangbuk-do Tangible Cultural Property, which is the main altar triad inside the Daeung-jeon Hall.

Temple Layout

About a kilometre and a half up a mountain road is Jukrimsa Temple. The first thing to greet you at the temple is the stately Iljumun Gate with stout, stone pillars. A little further up the road, but before you arrive at the temple grounds, you’ll notice a pair of ornate stupas to your right. These modern stupas are near replicas of the one found at Seonamsa Temple on Mt. Baekyangsan in Busan-jin, Busan. These stupas are adorned with decorative dragons, elephants, tigers, Bicheon (Flying Heavenly Deities), as well as an image of Jijang-bosal (The Bodhisattva of the Afterlife). And just beyond these large, ornate stupas are a row of older stupas.

With a slight incline in the mountain road, you’ll finally near the outskirts of the main temple grounds. Up an uneven set of stone stairs, you’ll make your way under the two-story Boje-ru Pavilion. The first story acts as an entry to the main temple courtyard, while the second story acts as a lecture hall for larger dharma talks. The pavilion is adorned in simplistic dancheong colours, while being surrounded on all sides by rose bushes, Japanese maples, and various shrubs.

Now standing squarely in the main temple courtyard, you’ll find a three-story pagoda out in front of the Daeung-jeon Hall. There is a stone barrier surrounding the pagoda with stone lotus images on all sides of the structure. The pagoda is modern, while also reminiscent of a Silla-era design. To your left, you’ll find the monks’ dorms, while straight ahead of you is the Daeung-jeon Hall. Out in front of the main hall are a collection of stone statues. To the far left is an image dedicated to Gwanseeum-bosal (The Bodhisattva of Compassion). Joining this statue in this area are three statues embodying the idea of “see no evil, hear no evil, speak no evil.” And to the far right, you’ll find a stone triad centred by Amita-bul (The Buddha of the Western Paradise).

Surrounding the exterior walls of the Daeung-jeon Hall are a collection of simple Palsang-do (The Eight Scenes from the Buddha’s Life). Stepping inside the main hall, and resting on the main altar, is the Gyeongsangbuk-do Tangible Cultural Property. The main altar triad is centred by an image dedicated to Seokgamoni-bul (The Historical Buddha). And joining this central image on either side are statues dedicated to Jijang-bosal and Gwanseeum-bosal. The statue of Seokgamoni-bul stands 1.33 metres in height. The statue has a robust chest with smooth shoulders. Its robe hangs over only one shoulder. It’s believed that the statue dates back to the early Goryeo Dynasty (918-1392). Additionally, the statue had damage to both its neck and face, which has subsequently been repaired. Also, the statue has two new hands. Overall, the statue is both stately and imposing. There are a couple murals that hang inside the Daeung-jeon Hall like the Shinjung Taenghwa (Guardian Mural) that hangs on the far left wall, as well as the red mural dedicated to Jijang-bosal on the far right wall. Rather interestingly, and to the bottom left of the mural dedicated to Jijang-bosal, are a collection of pictures. The far left picture is of Park Chung Hee (1917-79, the central picture is that of his wife, Yuk Young-soo (1925-74), and the final picture is of Roh Moo-hyun (1946-2009).

To the left of the Daeung-jeon Hall, you’ll find two temple shrine halls. The first of these two is the Samseong-gak Hall. The exterior walls are adorned in simple dancheong colours. Stepping inside the shaman shrine hall, you’ll find three different murals. These murals consist of one dedicated to Chilseong (The Seven Stars), another dedicated to Sanshin (The Mountain Spirit), and the final dedicated to Dokseong (The Lonely Saint). And the other shrine hall that visitors can explore at Jukrimsa Temple is the Eungjin-jeon Hall to the left of the Samseong-gak Hall. Housed inside the Eungjin-jeon Hall is an all-white main altar triad centred by Seokgamoni-bul and joined on either side by images of Mireuk-bul (The Future Buddha) and Yeondeung-bul (The Past Buddha). And on either side of this main altar triad are white images of the Nahan (The Historical Disciples of the Buddha).

How To Get There

There are no direct buses that go to Jukrimsa Temple in Yeongcheon, Gyeongsangbuk-do. So the most direct way to get to the temple is by taxi from the Yeongcheon Intercity Bus Terminal. The bus ride will take about 15 minutes and cost about 10,000 won.

Overall Rating: 6.5/10

While there isn’t one huge highlight at Jukrimsa Temple, there are several smaller ones like the two ornate modern stupas at the entry of the temple grounds, the main altar triad inside the Daeung-jeon Hall, and the shaman paintings and Nahan statues inside the Eungjin-jeon Hall. The temple grounds are quite tranquil, as well.

The Iljumun Gate at the entry of Jukrimsa Temple.
The wonderfully ornate modern stupa at the temple.
A close-up of one of the Bicheon (a Flying Heavenly Deity) reliefs that adorns the side of the stupa.
The ornate modern stupa from a different angle.
And an up-close of the decorative dragon that adorns the stupa.
The Boje-ru Pavilion at Jukrimsa Temple.
A beautiful red rose next to the entry gate.
A look through the first floor of the two-story Boje-ru Pavilion.
The modern three-story pagoda and Daeung-jeon Hall at Jukrimsa Temple.
The three statues dedicated to the “see no evil, hear no evil, speak no evil” motif.
A look inside the Daeung-jeon Hall.
The Samseong-gak Hall.
The Sanshin (Mountain Spirit) mural housed inside the shaman shrine hall.
The Eungjin-jeon Hall.
And a look inside the Eungjin-jeon Hall.

Bukdaeam Hermitage – 북대암 (Cheongdo, Gyeongsangbuk-do)

Unmunsa Temple from the Heights of Bukdaeam Hermitage in Cheongdo, Gyeongsangbuk-do.

Hermitage History

Bukdaeam Hermitage is located on the Unmunsa Temple grounds in Cheongdo, Gyeongsangbuk-do. Both Bukdaeam Hermitage and Unmunsa Temple are situated to the north of a cauldron of mountains that includes Mt. Unmunsan (1,188 m) and Mt. Gajisan (1,240.9 m). Purportedly, Bukdaeam Hermitage is the first temple or hermitage built on Mt. Unmunsan. However, the exact date of its founding is unknown, but it’s speculated that it was first built in 557 A.D. The hermitage was later reconstructed in 1851 and continues to be repaired and rebuilt to the present day. As for the name of the hermitage, Bukdaeam Hermitage, it gets its name from being built so high up on the mountain like a swallow’s nest.

Hermitage Layout

You first approach Bukdaeam Hermitage up a long, winding mountain road that eventually becomes a steep and winding trail. After a few hundred metres up the mountain trail, you’ll come to the hermitage’s grounds. The first things to greet you are a wall of hermitage buildings that include the nuns’ living quarters and kitchen. To the right, and a little further along the trail, you’ll notice a beautiful hall on a mountain ledge. This colourful hall is the Dokseong/Sanshin-gak Hall. Climbing up the very steep stairs, you’ll find an image dedicated to Sanshin (The Mountain Spirit) with a wispy, white beard and a ferocious tiger at his side. Sanshin is joined by an older image dedicated to Dokseong (The Lonely Saint). And it’s from this shaman shrine hall that you get amazing views of the valley below.

Beneath the Dokseong/Sanshin-gak Hall, you’ll find a much broader ledge. It’s here that you’ll find the main hall. The exterior walls of the Geukrak-jeon Hall are adorned in a beautiful collection of Palsang-do (The Eight Scenes from the Buddha’s Life Murals). Stepping inside the Geukrak-jeon Hall, you’ll find a central triad on the main altar. This triad consists of Amita-bul (The Buddha of the Western Paradise) in the centre joined by Gwanseeum-bosal (The Bodhisattva of Compassion) and Jijang-bosal (The Bodhisattva of the Afterlife). To the left of this triad is a mural dedicated to Jijang-bosal, while to the left is a modern Shinjung Taenghwa (Guardian Mural).

Out in front of the Geukrak-jeon Hall is a solitary stone lantern. It’s from this vantage point that you get an amazing view of Unmunsa Temple down in the valley below. Unfortunately, there are several black power lines that interfere with the view. To the left of the main hall are some more nuns’ quarters. And behind the Geukrak-jeon Hall sits the hermitage’s Chilseong-gak Hall. Housed inside this shaman shrine hall is an older mural dedicated to Chilseong (The Seven Stars).

It should be noted that both Unmunsa Temple and Bukdaeam Hermitage are best visited in the fall when the leaves are changing colours. They are probably two of the better locations to enjoy fall in Korea.

How To Get There

To get to Bukdaeam Hermitage, you first need to get to Unmunsa Temple. And to get to Unmunsa Temple, you’ll need to get to the Cheongdo Intercity Bus Terminal. From the Cheongdo Intercity Bus Terminal, you’ll need to catch the bus that runs to Unmunsa Temple. This bus runs eight times a day. The first bus leaves at 7:40 a.m., and the last bus leaves at 7:30 p.m. Then from Unmunsa Temple’s front gate, you’ll need to walk 300 metres to a stone marker that points you in the direction of Bukdaeam Hermitage. After turning left at the stone marker that reads “북대암,” you’ll need to hike up the road that eventually becomes a trail. In total, the strenuous hike lasts about 700 metres.

Overall Rating: 6/10

The views alone make a trip to Bukdaeam Hermitage well worth it. In addition to all of this natural beauty, you can also enjoy all the shaman murals at the hermitage like the original mural dedicated to Sanshin (The Mountain Spirit) or the older mural dedicated to Chilseong (The Seven Stars). And if you’re at Bukdaeam Hermitage, you’ll most likely visit Unmunsa Temple, as well. Together they make for a very pleasant day trip to the countryside.

The trail leading up to Bukdaeam Hermitage.
The Geukrak-jeon Hall at the hermitage.
One of the Palsang-do (The Eight Scenes from the Buddha’s Life Murals) that adorns the exterior of the main hall.
A look inside the Geukrak-jeon Hall at the main altar.
The solitary seokdeung (stone lantern) out in front of the Geukrak-jeon Hall.
The Chilseong-gak Hall at Bukdaeam Hermitage.
The mural dedicated to the Seven Stars inside the Chilseong-gak Hall.
The view from the Chilseong-gak Hall overtop the Geukrak-jeon Hall.
A look towards the Dokseong/Sanshin-gak Hall.
An older mural dedicated to Sanshin (The Mountain Spirit).
And joined by this equally older mural dedicated to Dokseong (The Lonely Saint).
A look down on Unmunsa Temple.
With a closer look at the amazing temple.

Pokpoam Hermitage – 폭포암 (Goseong, Gyeongsangnam-do)

Pokpoam Hermitage in Goseong, Gyeongsangnam-do.

Hermitage History

Pokpoam Hermitage, which means “Waterfall Hermitage” in English, is situated to the south of Mt. Gujeolsan (564.5) in northeastern Goseong, Gyeongsangnam-do. Pokpoam Hermitage is situated on the former temple grounds of Sadusa Temple. Sadusa Temple was used as a site for the manufacturing of arrows for the Righteous Army led by Samyeong-daesa (1544-1610). The temple was destroyed, when it was burned to the ground by the invading Japanese army during the Imjin War (1592-98). The temple would remain abandoned until 1981, when the monk Hyeongak came to Goseong to pray for one hundred days. It was around this time that tiles and the foundation for the former Sadusa Temple were discovered.

As for the name of the hermitage, there’s a rather interesting legend connected with it. There’s a waterfall that flows through the hermitage named “Yongho-pokpo – 용호폭포.” According to this legend, there used to live an evil dragon that resided in the pooling water beneath the waterfall. One day, it ascended up into the sky. However, at the same time that the dragon was flying, local women were gathering food in the valley. The dragon was curious, so it tried to hide to spy on these women. Suddenly, lightning struck and the dragon was shattered into various pieces. Its body would become a rock that surrounded the Yongho Waterfall like a folding screen. The waterfall would flow over the dragon’s head, which gives it its name of Yongho Waterfall. And it’s internal organs dissolved to become a cave. A tiger came to live in this cave, and the cave came to be known as the Baekho-gul Cave. Currently, it’s used as a Sanshin-gak Hall at the hermitage. As for the dragon’s horns, they became a rock at the top of Mt. Gujeolsan, and its eyes became Bodeok-gul Cave to the left of the waterfall. Currently, this cave is off-limits to the general public. The Bandal-gul Cave at Pokpoam Hermitage, which is currently used as the Yongwang-dang Hall, is said to have mysterious mineral water flowing from it. Lastly, the dragon’s tail was cut off and caught on a rock to make part of the rock formation around the hermitage.

In addition to this legend, the temple is really popular because it’s said that the Yongho-pokpo Waterfall makes people’s wishes come true. It’s also popular among hikers, so Pokpoam Hermitage is doubly busy so be prepared and probably visit the hermitage at an earlier hour.

Hermitage Layout

You first approach the hermitage grounds from the parking lot. The pathway zigs and zags at a pretty steep angle over 300 metres, until you finally arrive the base of the pooling waterfall. Along the way, you’ll pass by some rather curious pagodas with various images at their bases like hearts, stars, frogs, and even a moktak.

Depending on when you visit the hermitage, the waterfall can be quite intense or a slow trickle of water. And above the waterfall is a suspension bridge up near the peak of the mountain. But back at the base of the waterfall, you’ll notice an outdoor shrine dedicated to Gwanseeum-bosal (The Bodhisattva of Compassion) that consists of a five metre tall statue of the Bodhisattva of Compassion.

Continuing up the stairs that led you to the outdoor shrine dedicated to Gwanseeum-bosal, there will be an exit to your right. Continuing along this trail, you’ll come to a rock where you can come quite close to the flow of the falls. And on days where the waterfall is really flowing, you can get quite wet from all the mist in the air. Take your time and enjoy the waterfall from up-close.

Climbing up the set of uneven stone stairs, you’ll next come to the Yongwang-dang Hall, which is also known as the Bandal-gul Cave. The outdoor of this structure is a modern cement structure with fading paint. Stepping inside the cave, you’ll find a small statue on the main altar dedicated to Yongwang (The Dragon King). And this red main altar image of Yongwang is backed to the side by a print of a black dragon. Also in this area is a row of clapboard buildings. The entry to the far left is the entrance to the Gwaneum-jeon Hall at Pokpoam Hermitage. Standing inside this cave-like interior is a golden image of Gwanseeum-bosal on the main altar.

Back at the stairs that led you up towards these structures, but hanging a left this time, you’ll find a collection of structures. The first is the hermitage’s kitchen and administrative office. Above this, and up on the next level of the large ledge, is the Daeung-jeon Hall. The exterior walls of the main hall are adorned with a collection of paintings that include a white image of Gwaneeum-bosal and Bicheon (Flying Heavenly Deities). Stepping inside the main hall, you’ll find a triad of statues on the main altar. The central image, rather surprisingly, appears to be that of Amita-bul (The Buddha of the Western Paradise), who is joined on either side by Gwanseeum-bosal and Jijang-bosal (The Bodhisattva of the Afterlife). And hanging on the far right wall is a modern, black accented, Shinjung Taenghwa (Guardian Mural).

To the left of the Daeung-jeon Hall, you’ll find a golden relief of Yaksa-yeorae-bul (The Buddha of the Eastern Paradise, and the Buddha of Medicine). This image holds a medicinal jar in its left hand, as it looks out towards the valley below.

Beyond this golden relief, you’ll find numerous sets of stairs that lead up and around to the suspension bridge above the hermitage’s waterfall. Along the way, you get beautiful views of both the waterfall and the valley below. Both are equally stunning.

Eventually, you’ll come to a clearing, where you’ll find the rather long suspension bridge. If you feel up for a hike, you can continue across the bridge to the other side and hike around Mt. Gujeolsan. However, if you don’t have the time or inclination, you can simply get great pictures of the hermitage grounds and valley below, or the waterfall from above. Either way, and whatever you might choose, the views from the heights of the suspension bridge are stunning.

How To Get There

The easiest, and least complicated, way to get to Pokpoam Hermitage from the Goseong Intercity Bus Terminal is to take a taxi. This is especially the case if you’re with a group. In total, the taxi ride should take about 20 minutes, over 12 km, and it’ll cost you around 20,000 won (one way). Otherwise, you’ll be on a bus for about 40 minutes, and then need to hike for over 70 minutes, or 4 km, to get to Pokpoam Hermitage.

Overall Rating: 6.5/10

Pokpoam Hermitage in Goseong, Gyeongsangnam-do is pretty tricky to rate. If you simply leave it to the shrine halls at the hermitage, it’s rather pedestrian. However, once you include the waterfall, the valley, and the scenic mountain, it only helps to elevate the hermitage. So depending on what you might enjoy at a temple, whether it’s nature or shrine halls, it’ll go a long way in determining just how much you enjoy Pokpoam Hermitage. Either way, however, Pokpoam Hermitage makes for a nice little trip in the countryside of Goseong. But be forewarned, it can get quite busy.

The road leading up to Pokpoam Hermitage.
Some of the unique pagodas along the way.
Some of the cascading water along the way, as well.
The beautiful Yongho Waterfall at the hermitage.
The outdoor shrine dedicated to Gwanseeum-bosal (The Bodhisattva of Compassion) at Pokpoam Hermitage.
The view that the Bodhisattva of Compassion gets to enjoy.
Making your way towards the falls.
An up-close of the Yongho-pokpo Waterfall.
A look inside the Yongwang-dang Hall.
A look inside the Gwaneum-jeon Hall.
The cliffside Daeung-jeon Hall.
The main altar inside the Daeung-jeon Hall.
The golden relief dedicated to Yaksayeorae-bul (The Medicine Buddha, and the Buddha of the Eastern Paradise).
The hermitage grounds.
The view as you make your way to the top of the falls.
The suspension bridge that spans the top of the falls.
And the stunning view from the suspension bridge.

Billy Go’s Korean Conversation Course | #5: Taxi – 택시

We're at lesson 5 out of a total of 20 lessons. This series is a free video course that teaches through natural Korean conversations, and gives full explanations for everything along the way. I'll be posting one new episode of this course until it's complete.

Note that this course is recommended for students who've already completed either my Beginner's Korean Course (100 episodes), or another similar beginner Korean course. That course is also free on my YouTube channel.

The post Billy Go’s Korean Conversation Course | #5: Taxi – 택시 appeared first on Learn Korean with GO! Billy Korean.

Capturing the Vibrant Nightscape: A Guide to Urban Night Photography in South Korea

South Korea, a land of bustling streets, neon-lit alleys, and towering skyscrapers, offers a plethora of opportunities for capturing stunning urban nightscapes. As a photographer based in this dynamic country, diving into the realm of night photography unveils a canvas of vibrant city lights and captivating architectural marvels. In this comprehensive guide, we’ll explore the art and techniques behind urban night photography in South Korea, from essential equipment to composition tips and post-processing tricks.

Gear Essentials

Before venturing into the nocturnal realm, it’s crucial to equip yourself with the right gear. A sturdy tripod is your best companion for long exposure shots, ensuring sharpness and stability in low-light conditions. Pair it with a wide-angle lens to encompass expansive cityscapes and capture the grandeur of South Korea’s urban landscapes. Additionally, carrying spare batteries and memory cards ensures uninterrupted shooting sessions amidst the city’s electrifying ambiance.

My main recommendation for tripods these days are tripods from K&F Concept. They are well built and relatively affordable. Not to mention, that even when ordering one of their more expensive carbon fibre tripods, I had no troubles betting it through Korean customs.

Choosing the Perfect Location

South Korea’s cities boast a myriad of picturesque locations for night photography. Seoul’s iconic landmarks such as the futuristic Dongdaemun Design Plaza, the illuminated Gwangali bridge in Busan, and the bustling streets of Ulsan offer endless possibilities for creative compositions. Busan’s vibrant nightlife scene and the Cheongaechon Stream in Seoul provide additional opportunities for capturing stunning cityscapes. Researching potential shooting locations beforehand enables you to plan your shoot effectively and maximize your time on-site.

However, don’t give up if you don’t live in Seoul or Busan. The beauty of Korea is that any downtown area or “shinae” will have the same elements that many of the larger cities have. They will have tons of traffic, flashing signs and interesting buildings. Use there elements to create your own nightscapes of Korea.

Mastering Exposure and Settings

Achieving the perfect exposure is paramount in night photography, where light is scarce yet dynamic. Start by setting your camera to aperture priority mode and dialing in a low ISO to minimize noise. Experiment with long exposure times, ranging from a few seconds to several minutes (in manual mode), to capture the trails of passing vehicles or the mesmerizing flow of city lights. Utilize a wide aperture (low f-stop) to maximize light intake and create captivating bokeh effects. Additionally, using a remote shutter release minimizes camera shake and ensures sharp, blur-free images.

One tip that I use is by downloading the app for your camera, if it has one. This will allow you to use your phone as a remote shutter. If you don’t have that feature, use the 2-second timer on your camera to get a hands-free shot. If you use a canon camera and are bracketing your shots, then this will also shoot all of your images in succession without having to shoot them individually.

Composition Techniques

Composition plays a pivotal role in creating compelling urban nightscapes. Incorporate leading lines, such as roads or bridges, to guide the viewer’s gaze through the frame and add depth to your images. Experiment with different perspectives and angles to highlight the juxtaposition of modern architecture against the night sky. Utilize reflections from puddles or glass surfaces to introduce intriguing visual elements into your compositions. Remember the rule of thirds and consider placing key elements, such as city landmarks or light trails, along the intersecting points for added visual interest.

Night photography in Korea is something that really allows you to experiment with your composition. Try shooting in tight alleyways or using the lightrails of the endless streams of traffic to help make your shots really pop. No matter where you live in Korea, you can find areas that will be amazing for street photography.

Post-Processing Magic

Post-processing allows you to enhance and refine your night photographs, bringing out the full potential of your captures. Software such as Adobe Lightroom or Luminar Neo enables you to fine-tune exposure, contrast, and color balance to achieve a desired aesthetic. Adjusting white balance settings can help correct any color casts introduced by artificial lighting, ensuring accurate and vibrant hues. Experiment with selective dodging and burning to emphasize specific areas of your image and create a sense of drama and depth.


The bottomline is that urban night photography in South Korea is a captivating journey into the heart of bustling metropolises, where the cityscape transforms into a mesmerizing tapestry of light and shadows. Armed with the right gear, technical know-how, and creative vision, photographers can unlock the full potential of this dynamic genre, capturing the essence of South Korea’s vibrant urban landscape under the cloak of night.

The post Capturing the Vibrant Nightscape: A Guide to Urban Night Photography in South Korea appeared first on The Sajin.


Jason Teale 

Photographer, educator, podcaster

Podcast    Website    Instagram

Photographing Korea and the world beyond!

 

 

Seonsuam Hermitage – 선수암 (Yesan, Chungcheongnam-do)

Seonsuam Hermitage at Sudeoksa Temple in Yesan, Chungcheongnam-do.

Hermitage History

Seonsuam Hermitage is located on the Sudeoksa Temple grounds in Yesan, Chungcheongnam-do in the southern foothills of Mt. Deoksungsan (495.2 m). The hermitage is also a nunnery for Buddhist nuns. Very little is known about the hermitage’s history.

Hermitage Layout

Just to the southwest of the main temple courtyard at Sudeoksa Temple, you’ll find Seonsuam Hermitage. As you first approach the entry to the hermitage, which is located just to the left of the Sacheonwangmun Gate for Sudeoksa Temple, you’ll notice a miniature replica of Dabo-tap Pagoda of Bulguksa Temple fame halfway up the pathway. Nestled under towering trees, the pagoda is an exact replica of the stone monument but just a quarter of its original size.

Finally entering the hermitage’s main courtyard, you’ll notice the large main hall to your right with the nuns’ dorms off to the left. The Wontongbo-jeon Hall’s exterior is beautifully adorned with two different sets of murals. The upper set is the vibrant Palsang-do (The Eight Scenes from the Buddha’s Life), while the lower set depicts the various stages of a person’s life. The floral latticework on the front doors are stunning.

Stepping inside the Wontongbo-jeon Hall, and seated all alone on the main altar, is a large image dedicated to Gwanseeum-bosal (The Bodhisattva of Compassion). The entire interior of the main hall is adorned with various murals. To the right of the main altar are a set of four murals. The first of these paintings is dedicated to Jijang-bosal (The Bodhisattva of the Afterlife), followed by one dedicated to Sanshin (The Mountain Spirit), another dedicated to Chilseong (The Seven Stars), and the last being a beautiful Shinjung Taenghwa (Guardian Mural).

To the left of the main altar, on the other hand, is another collection of Buddhist murals. The first of these four is dedicated to a multi-armed and headed Gwanseeum-bosal. The next painting is an older mural dedicated to Dokseong (The Lonely Saint), followed by a painting dedicated to the Siwang (The Ten Kings of the Underworld), and a Gamno-do (Sweet Dew Mural).

It should be noted that during my visit to Seonsuam Hermitage, I met one of the nicest nuns (or monks for that matter) at any temple or hermitage in Korea. She took the time to explain some of the details behind each painting inside the Wontongbo-jeon Hall. Also, she gave me a beautiful wood panel piece filled with a dancheong design. It was a great experience.

How To Get There

To get to Seonsuam Hermitage, you’ll first need to get to Sudeoksa Temple. To get to Sudeoksa Temple, you’ll need to take a bus from the Yesan Intercity Bus Terminal. From this terminal, you can take a rural bus to get to Sudeoksa Temple. Here is a list of potential buses that you can take: Bus #553 (8:20), Bus #547 (9:40), Bus #558 (10:50, 17:35), Bus #551 (12:00, 15:00), Bus #557 (13:20), Bus #549 (14:00), Bus #555 (15:55), Bus #556 (19:15). These buses will take about an hour and forty minutes to get to the temple.

Once at Sudeoksa Temple, make your way towards the main temple courtyard. Just before the Sacheonwangmun Gate, hang a left and head towards Seonsuam Hermitage. It’s about 100 metres up the pathway.

Overall Rating: 3/10

Seonsuam Hermitage is well-taken care of as is evident of the well-manicured grounds. In addition to all of this natural beauty, the hermitage also houses a beautiful collection of artwork inside the main hall. There’s also a large, imposing image of a feminine-looking statue of Gwanseeum-bosal (The Bodhisattva of Compassion) on the main altar. So if you’re visiting the neighbouring Sudeoksa Temple, you should definitely drop by Seonsuam Hermitage along they way.

The pathway and replica of Dabo-tap Pagoda as you make your way up to Seonsuam Hermitage.
The beautiful Wontongbo-jeon Hall at the hermitage.
A fierce decorative dragon near the signboard of the main hall.
Some of the beautiful floral latticework that adorns the Wontongbo-jeon Hall.
One of the Palsang-do (The Eight Scenes from the Buddha’s Life) that adorns the exterior of the main hall.
Joined by this set of murals dedicated to a person’s life.
A look inside the Wontongbo-jeon Hall.
The Sanshin (Mountain Spirit) mural inside the main hall.
Joined by this Shinjung Taenghwa (Guardian Mural).
An up-close of Dongjin-bosal (The Bodhisattva that Protects the Buddha’s Teachings) inside the Shinjung Taenghwa (Guardian Mural).
The Siwang (The Ten Kings of the Underworld) painting inside the Wontongbo-jeon Hall.
And the Gamno-do (Sweet Dew Mural) inside the main hall, as well.

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