Far Too Loud, a.k.a. Oli Cash, has gained a significant reputation in dance
music for quality, dancefloor-destroying production.  Originally rooted in
breakbeat, the FTL sound was quickly recognized as being something
different through the influence of other styles of dance music.  Over the past
four years the sound has developed and diversified but maintained the mix of
hard-hitting beats, dirty bass lines, detailed production and twisted sound
design that has set FTL apart from the rest.  This is evident from the full-on
tech-breaks monster “Get High”, which was awarded Best Single at
Breakspoll 2007, to the electro mix of Lily Allen’s “Not Fair”, which was liked
so much that it became part of Lily’s live show and another remix was
subsequently commissioned.
 
Signed to the award-winning Funkatech records, Far Too Loud has released a
string of singles and remixes that have found their way into the record bags of
numerous top DJs, playlists of top radio stations and tune-of-the-month slots
in major dance music publications. These include two E.P. series, “Louder
Than Life” and “Music For Machines”, and the huge-selling tracks “Play It
Loud” and “You Know The Sound”, which both received “Best Track”
nominations in the Beatport Music Awards.   
 
The recognition received through these releases has seen Far Too Loud
playing in clubs all over the world, as well as regular appearances in native
UK.  The FTL vibe has been a winner particularly at festivals and rocked
crowds at Glastonbury, Glade, Boom and many more.  2008 saw the debut of
a live laptop-based set of all-original material, mixing up classic FTL tracks
with new beats and crazy effects into a peak-time dancefloor experience.   
 
2010 has seen Far Too Loud grow even more with extensive live and DJ
touring throughout the year and the release of his biggest selling track to date,
“Bring Back Boogie” in collaboration with Alex Mind.  A ‘re-fix’ series of free
downloads has also seen Far Too Loud appear on numerous music blogs this
year too.