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There are numerous Bogwangsa Temples in Korea, but this Bogwangsa Temple is located in Cheongsong, Gyeongsangbuk-do to the north of Mt. Bogwangsan (435.1 m). While there’s no clear evidence as to when Bogwangsa Temple was first founded, it’s believed to have been first established in 668 A.D. by the famed monk Uisang-daesa (625-702 A.D.). However, this date seems to be unreliable, as Uisang-daesa was still studying in Tang Dynasty China (618–690, 705–907 A.D.) until 671 A.D. According to the “Yeojidoseo,” or “Collected Chronicles and Maps, 1765” in English, “Bogwangsa Temple is located five li (two kilometres) south of the local administrative office. The temple is a guardian temple for the tomb of Shim Hong-bu.” From this quote, we can discern that the temple was a prayer hall for the Cheongsong Shim clan.
During the reign of King Sejong (r. 1418-1450), Queen Soheon (1395-1446), who was a Shim of Cheongsong, had King Sejong designate the temple to protect the tomb of the progenitor of the Shim clan. As a result, a garden, a memorial, and the Manse-ru Pavilion were all built in and around Bogwangsa Temple. Thus, it’s believed that the Manse-ru Pavilion was first built in 1428 and later rebuilt by the Shim clan in 1856. And it was rebuilt, once more, in 1958 by Shim Sang-gak, who was the 22nd generation grandson of Shim Hong-bu.
In 1979, the governor of the region had the historic Geukrak-jeon Hall repaired. It was around this time that an inscription on the main beam of the Geukrak-jeon Hall’s structure that showed that the shrine hall was built in 1615. And in 1995, the Samseong-gak Hall was built. More recently, the entire temple grounds have undergone an extensive reconstruction including the Geukrak-jeon Hall.
You first approach Bogwangsa Temple up a long country road. The first signs that you’re nearing the temple grounds are the modern turtle-based stele out in front of the temple grounds. A little further along, and past the temple parking lot, is the aforementioned Manse-ru Pavilion that separates the outer from the inner portion of the main temple courtyard. The Manse-ru Pavilion is a two-story structure. The first story simply supports the second story of the structure. As for the second story, it’s used for larger meetings.
Passing to the right of the Manse-ru Pavillion, and having stepped into the main temple courtyard, you’ll first notice the diminutive Geukrak-jeon Hall in front of you. Out in front of the main hall is an equally smaller sized three-story pagoda. Before heading up the stairs that lead up to the Geukrak-jeon Hall, you’ll notice a pair of modern stone lanterns on either side of the stone stairs.
The exterior walls of the Geukrak-jeon Hall are adorned in simple dancheong colours. Stepping inside the main hall, you’ll be welcomed by a main altar occupied by the “Geukrak-jeon Stone Amita-bul Triad of Bogwangsa Temple in Cheongsong.” In the centre of this triad sits an image of Amita-bul (The Buddha of the Western Paradise), who is joined on either side by statues of Gwanseeum-bosal (The Bodhisattva of Compassion) and Daesaeji-bosal (The Bodhisattva of Wisdom and Power for Amita-bul). According to the original text discovered on the clothing of the statues, it was determined that the triad was constructed in 1735 by the monk-sculptor Yeo Cheol. The central image of Amita-bul is slender and strong in appearance, while the two accompanying Bodhisattvas wear crowns on their heads as long hair flows down towards their shoulders. This triad is then backed by a new main altar mural. And on the far left wall is a modern Shinjung Taenghwa (Guardian Mural).
To the left of the Geukrak-jeon Hall is the temple’s Samseong-gak Hall. Slightly elevated, and all but unadorned, you’ll be welcomed inside the shaman shrine hall by a triad of paintings of Korea’s most popular shaman deities. The first of the three, and hanging on the far left wall, is an elaborate mural dedicated to Sanshin (The Mountain Spirit). This mural is then joined on the main altar by an older mural dedicated to Chilseong (The Seven Stars) and Dokseong (The Lonely Saint).
The other building on the temple grounds, and to the right of the main hall, is the nuns’ dorms and temple’s kitchen.
How To Get There
The easiest and fastest way to get to Bogwangsa Temple is to take a taxi from the Cheongsong Intercity Bus Terminal. By taxi, it should take about 5 minutes, or 2.6 km, and it’ll cost you around 5,000 won (one way).
Overall Rating: 6/10
Bogwangsa Temple’s royal past, and its connection to King Sejong, makes the temple far more interesting. Additionally, the Manse-ru Pavilion and historic Geukrak-jeon Hall are stunning examples of Buddhist architecture. Also, the main altar triad inside the Geukrak-jeon Hall is rather unique in design. You can also enjoy the elaborate Sanshin (Mountain Spirit) mural housed inside the Samseong-gak Hall. While smaller in size, and with only a couple of shrine halls for visitors to explore, Bogwangsa Temple is still worth a visit, especially if you’re in the area.
The “Rock-carved Standing Buddha in Hwangsang-dong” is located in northeastern Gumi, Gyeongsangbuk-do hidden behind a row of factory buildings. These factories shield people from being able to see this high relief image of Amita-bul (The Buddha of the Western Paradise) from the road.
It’s presumed that this high relief carving of a standing Amita-bul was first made around the turn of Unified Silla (668-935 A.D.) and Goryeo (918-1392) periods in the 10th century. The relief is carved on the southeastern surface of a huge rock cliff. The image measures an impressive 7.3 metres in height. In addition to both its age and height, the high relief image is Korean Treasure #1122.
According to a legend, a general was being chased by the enemy, but his life was saved by a woman who helped him hide behind a large rock. Later, the general considered this woman to be a Buddha, so he had an image of Amita-bul carved onto this rock. This would become the “Rock-carved Standing Buddha in Hwangsang-dong.”
As for the design of the high relief image, Amita-bul has a large protruding bump on its head. This is meant to symbolize his wisdom. The three creases around his neck represent the “three destinies” of affliction, actions, and suffering. His eyes are gently closed. It also has a thin nose and small lips. Both of its ears are elongated. The robe of Amita-bul hangs lightly over the arms. The hands are raised to its chest, and the statue has the left hand with the palm turned inward and the right hand has its palm turned outward. A flat stone was placed atop the rock cliff to serve as a protective canopy for the statue.
How To Get There
The simplest way to get to the “Rock-carved Standing Buddha in Hwangsang-dong” from the Gumi Intercity Bus Terminal is to take a taxi. The ride should take about 15 minutes, over 13 km, and it’ll cost you 13,000 won (one way).
Otherwise, you can take Bus #900 from the Gumi Intercity Bus Terminal. You’ll need to take this bus for 10 minutes and get off at the “금오공대입구 – Geumo Gonddae-ipgu” bus stop. From this bus stop, you can catch either Bus #90 or Bus #93. You’ll need to take this bus for 11 stops, or 12 minutes, and get off at the “델코전지 하차 – Delko Jeonji” bus stop. From where the bus drops you off, you’ll need to head north for about 800 minutes, or 13 minutes, and look for the “미애사 – Miaesa Temple” sign. The “Rock-carved Standing Buddha in Hwangsang-dong” is to the left rear of a large factory building.
Overall Rating: 4/10
There’s a modern temple next to the “Rock-carved Standing Buddha in Hwangsang-dong” named Miaesa Temple. But rather obviously, the main highlight in the area is the high relief image of Amita-bul. The large 7.3 metre tall image is impressive in both its size and elegant design. When visiting this image of Amita-bul, take your time to take it all in. This image is a masterful representation of Unified Silla/Goryeo design.
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Yeonmisa Temple, which means “Swallow Tail Temple” in English, is located in northern Andong, Gyeongsangbuk-do. It’s believed that the temple was first founded in 634 A.D. by the monk Myeongdeok and then rebuilt twice. After its founding, very little is known about the temple’s history. During the Goryeo Dynasty (918-1392), the area that Yeonmisa Temple is located was a popular place for officials traveling in the area between provinces. This area is now known as Jebiwon.
During the Joseon Dynasty (1392-1910), the temple fell into disrepair. It was only later, and during Japanese Colonial Rule (1910-45), that Yeonmisa Temple was rebuilt in 1918. The temple was rebuilt on the former site of Yeonmisa Temple. And it was further restored in both 1943 and 1947. In 1978, the Daeung-jeon Hall was extended and the temple paintings were added in 1986. Now the temple is run by nuns.
Yeonmisa Temple is also home to the “Rock-carved Standing Buddha in Icheon-dong,” which is Korean Treasure #115. According to a legend, the Buddha carving was commissioned by a famous mason. However, his student was more skilled. So one day, while the student was working on the relief, the teacher removed the ladder. Then the master turned into a swallow and flew away up into the sky. This is one source of the temple’s name. Another legend has it that the Yosache (monks’ dorms) was located to the rear of the relief, which made it look like a swallow’s tail.
Temple Layout
As you approach the temple grounds, you’ll notice that there are a collection of buildings at Yeonmisa Temple. In the centre of these buildings is the Daeung-jeon Hall. The exterior walls to the Daeung-jeon Hall are adorned with the Shimu-do (Ox-Herding Murals). Additionally, the front floral latticework is stunning. Stepping inside the Daeung-jeon Hall, and resting on the main altar, are a triad of statues centred by Seokgamoni-bul (The Historical Buddha). This central image is joined on either side by statues of Munsu-bosal (The Bodhisattva of Wisdom) and Bohyeon-bosal (The Bodhisattva of Power). To the right of this triad is an orangish painting dedicated to Sanshin (The Mountain Spirit). And to the left of the main altar are two additional murals. One of these paintings is dedicated to Chilseong (The Seven Stars), while the other is a Shinjung Taenghwa (Guardian Mural).
To the right of the Daeung-jeon Hall are a collection of buildings that include the nuns’ dorms, administrative offices, and the temple parking lot. But it’s to the left of the main hall, and down a short path, that you’ll find the main highlight at the temple: the “Rock-carved Standing Buddha in Icheon-dong.” Along the way, there are several smaller statues of various Buddhas and Bodhisattvas, as well as a coin collecting statue of a jovial Podae-hwasang (The Hempen Bag).
Finally arriving at the “Rock-carved Standing Buddha in Icheon-dong,” which is also known as the “Jebiwon-seokbul,” you’ll find yourself looking up at the 12.38 metre tall image of Amita-bul (The Buddha of the Western Paradise). The image was created in two parts. This was a common method done during the Goryeo Dynasty. The head of Amita-bul was first sculpted and then attached to the image carved on the rock wall. The back of the head of the statue was completely destroyed; however, the front of the head was left intact. The protruding part on top of the Buddha’s head, which symbolizes supreme wisdom, is relatively high. It has long eyes and thick lips that are serenely smiling. Despite its large size and large body, the statue is well-balanced.
The image of Amita-bul stands on a lotus pedestal. There are folds in the robe, and it covers both of the shoulders to the statue of Amita-bul. The index fingers and middle fingers of each hand are placed together. The left hand is placed on its chests, while the right hand is situated on the stomach. There is still a little bit of orange paint left on the head, which indicates that the statue used to be painted (at least in part). It’s believed that the image was carved sometime in the 11th century. This style of large Buddha statues was a dominant style of folk Buddha statues created during the Goryeo Dynasty.
You can get a better idea of the full size of the statue, if you stand in the nearby park at some distance. It’s also at the base of the rock that somewhat obscures the full image of the statue that you can read an inscription that reads “이미타불” (Amita-bul).
How To Get There
To get to Yeonmisa Temple from the Andong Intercity Bus Terminal, you’ll need to take Bus #56. After 13 stops, or 22 minutes, you’ll need to get off at the “이천동 석불상하차 – Icheon-dong Seokbulsang” bus stop. From where the bus drops you off, you’ll need to walk about 200 metres, or 5 minutes, to get to the temple grounds.
You can take a bus, or you can simply take a taxi from the Andong Intercity Bus Terminal to get to Yeonmisa Temple. The ride should take about 12 minutes and cost about 9,000 won (one way).
Overall Rating: 6/10
By far, the main highlight at Yeonmisa Temple is the impressive “Rock-carved Standing Buddha in Icheon-dong.” Standing over 12 metres in height, comprised of two pieces, and dating back to the Goryeo Dynasty, it’s no wonder that this image of Amita-bul is the central highlight to any visit to Yeonmisa Temple. Other things to keep a look out for is the artwork around the Daeung-jeon Hall, as well as the image of Sanshin (The Mountain Spirit) inside the main hall and the floral latticework outside the main hall.
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Cheonjaam Hermitage, which is located on the Songgwangsa Temple grounds in western Suncheon, Jeollanam-do, is situated near the peak of Mt. Cheonjaamsan (757.4 m) to the southwest. It’s believed that the hermitage was first established by Damdang-guksa (1226-1293), who was the ninth of sixteen “guksa” (national preceptors) from Songgwangsa Temple. Additionally, he was a prince of Goryeo (918-1392).
After its founding, the monk Seolmuk reconstructed the hermitage in 1633. Later, it would be rebuilt, once more, this time by the monk Jiwon in 1730. In 1740, the Manse-ru Pavilion was built. In 1882, the Chilseong-gak Hall was built. And in 1939, the Geumdang Hall was built. Construction on the hermitage grounds continues to the present day.
You first approach Cheonjaam Hermitage up a long, winding mountain road. Part of this mountain road has been repaved, and other parts of the mountain road need to be repaved. Nearing the hermitage grounds, you’ll notice the Samseong-gak Hall on the hillside. To gain access to this shaman shrine hall, you’ll need to pass by the monks’ dorms to your right, as you enter the main hermitage courtyard at Cheonjaam Hermitage.
Straight ahead of you is the Eungjin-jeon Hall that’s joined to the left by the 800 year old Chinese junipers. Typically, Chinese junipers grow on Ulleung-do Island, in central Korea, and parts of Japan. These juniper trees have a strong scent that’s used in making incense. These pair of Chinese juniper trees are about twelve metres in height and are 4.1 metres and 3.3 metres, respectively, around. According to legend, these junipers grew from the walking sticks of Bojo-guksa (1158–1210) and Damdang-guksa (1226-1293). Purportedly, both monks brought these walking sticks back from China and stuck them into the ground at the hermitage. Additionally, Damdang-guksa was a disciple of Bojo-guksa. As a result, it’s said that these trees look like one is bowing down to the other much like a student would towards his teacher. It’s also said that anyone that touches these trees will go to heaven. The pair of Chinese juniper trees are stunning. And now, there is a smaller sized modern statue of Mireuk-bul (The Future Buddha) that rests at the base of the 800 year old juniper trees.
To the right of the ancient trees is the Eungjin-jeon Hall. The exterior walls to this shrine hall are adorned with images of Munsu-bosal (The Bodhisattva of Wisdom), Bohyeon-bosal (The Bodhisattva of Power), Jijang-bosal (The Bodhisattva of the Afterlife), and Gwanseeum-bosal (The Bodhisattva of Compassion). Stepping inside the Eungjin-jeon Hall, you’ll find a main altar occupied by a triad centred by Seokgamoni-bul (The Historical Buddha). This triad rests underneath a large, red canopy. And on either side of the main altar, you’ll find sixteen Nahan (The Historical Disciples of the Buddha) statues. These sixteen statues are then backed by murals of the Nahan, as well. And hanging on the far right wall is a painting dedicated to Dokseong (The Lonely Saint). This painting is then fronted by a newer-looking statue of the Lonely Saint.
To the rear of the Eungjin-jeon Hall, and over a newly constructed stone bridge, you’ll find the aforementioned Samseong-gak Hall. However, while the signboard above the shaman shrine hall details the shrine hall as a Samseong-gak Hall, it’s functionally a Sanshin-gak Hall. Typically, a Samseong-gak Hall would be occupied by three shaman deities that are typically Chilseong (The Seven Stars), Dokseong (The Lonely Saint), and Sanshin (The Mountain Spirit). However, this shaman shrine hall is only occupied by a painting of Sanshin. This painting is then fronted by two statues. The central image is that of Sanshin, while the statue to the left is that of Yongwang (The Dragon King).
To the left of both the historic Chinese juniper trees and the Eungjin-jeon Hall, you’ll find the largest building at Cheonjaam Hermitage. This is the structure that houses both the administrative offices at the hermitage, as well as the main hall, the Beopdang Hall. Stepping inside the Beopdang Hall, you’ll find an understated triad of statues underneath an equally understated all-natural wood canopy. The central image of the triad is dedicated to Seokgamoni-bul, who is joined on either side by statues dedicated to Gwanseeum-bosal and Jijang-bosal. To the left of the main altar is a painting dedicated to Gwanseeum-bosal, while to the right is a Shinjung Taenghwa (Guardian Mural).
Out in front of the Beopdang Hall is what looks to be the Manse-ru Pavilion. However, there was construction being done at the hermitage when I visited, so this structure was closed-off to the general public. Finally, and to the left of the Beopdang Hall, you’ll find a small collection of buildings that include the kitchen facilities at the hermitage.
How To Get There
There is no easy way to get to this rather remote hermitage. Outside of owning your own mode of transportation, the only other realistic way of getting to Cheonjaam Hermitage is by taxi. From the Suncheon Intercity Bus Terminal, it’ll take 45 minutes, over 46 km, and it’ll cost you around 50,000 won (one way).
Overall Rating: 5/10
Cheonjaam Hermitage is situated beautifully in Jogyesan Provincial Park. In addition to where it’s located, the hermitage has a pair of stunning 800 year old Chinese junipers. These might be the oldest trees that I’ve seen in my life. Also, you can enjoy the interior of the Eungjin-jeon Hall, as well as the interior of the Beopdang Hall. But the two main highlights at the hermitage are its location and its trees.
Ever wondered whether to use Sino Korean numbers (일, 이, 삼...) or Pure Korean numbers (하나, 둘, 셋...) when counting something? In this newest episode I share some tips for knowing which to use, and how you can more easily tell whether to use Pure Korean or Sino Korean numbers.
Haeunsa Temple is located on the northern part of Mt. Geumosan (976.5 m) in western Gumi, Gyeongsangbuk-do. It’s believed that Haeunsa Temple was first founded by the famed monk Doseon-guksa (827-898 A.D.) at the end of Unified Silla (668-935 A.D.). When the temple was first established, it was named Daehyeolsa Temple. During the late Goryeo Dynasty (918-1392), the Korean official-scholar Gil Jae (1353-1419) of the Goryeo Dynasty and early Joseon Dynasty (1392-1910) hid in this area and planted bamboo. While hiding at the temple, he is said to have learned Taoism, as well.
Sadly, and during the Imjin War (1592-98), all the buildings at the temple were destroyed. In fact, and near Haeunsa Temple, there’s a cave known as Doseon-gul. The cave is named after Doseon-guksa, the founder of the temple. It’s stated that between 500 to 600 people stayed in this cave while fleeing the Japanese invading forces in 1592 during the Imjin War.
It wasn’t until 1925 that the temple was rebuilt, once more, this time by the monk Cheolhwa, who renamed the temple as Haeunsa Temple. The Daeung-jeon Hall at Haeunsa Temple was built in 1956. The rest of the buildings at Haeunsa Temple were rebuilt from 1978-84 by the monk Seonghwa.
Temple Layout
After taking the cable car that brings you halfway up the mountain, you’ll then need to exit the cable car building to the west. Heading in this direction, you’ll come to a small collection of large cairn-like pagodas. It’s to the west of these stone pagodas that you’ll find the compact Cheonwangmun Gate. Housed inside this entry gate are four images of the Four Heavenly Kings. The exterior walls of the Cheonwangmun Gate are adorned with intricate dancheong, as well as images of Geumgang-yeoksa (Vajra Warriors).
Nearing the main temple courtyard, the first building to greet you is the Jijang-jeon Hall. Having entered the main temple courtyard, you’ll find the Jijang-jeon Hall to your right. Alone on the main altar inside this temple shrine hall is large golden image of Jijang-bosal (The Bodhisattva of the Afterlife). To the left and right of the main altar are large paintings dedicated to Jijang-bosal, as well.
To your rear is the compact Jong-ru Pavilion that houses a solitary bronze bell. And to your far left, you’ll find the administrative offices and kitchen facilities at Haeunsa Temple. Straight ahead of you, on the other hand, is a bronze statue of Podae-hwasang (The Hempen Bag). I’ve seen the exact same statue at both Dorisa Temple and Yongmunsa Temple.
Up a flight of stairs, you’ll come to the Daeung-jeon Hall at Haeunsa Temple. The exterior walls are painted gold and are adorned in cute Shimu-do (Ox-Herding Murals). The reason I say cute is that instead of having a younger ox-herder, the paintings are populated by images of three ox-herding children. Stepping inside the Daeung-jeon Hall, you’ll find a triad of statues under a large, golden canopy. In the centre of this triad rests an image of Seokgamoni-bul (The Historical Buddha), who is joined on either side by statues of Bohyeon-bosal (The Bodhisattva of Power) and Munsu-bosal (The Bodhisattva of Wisdom). To the left of the main altar is a modern Shinjung Taenghwa (Guardian Mural), while to the right is an equally modern mural dedicated to Chilseong (The Seven Stars).
To the right rear of the main hall, and up a longer set of stairs, you’ll find the Sanshin/Dokseong-gak Hall. Looking inside this shaman shrine hall, you’ll find a large statue dedicated to Sanshin (The Mountain Spirit) on the main altar. Backing this statue are two paintings dedicated to two shaman deities. The first of the two, and hanging to the right, is a painting dedicated to Sanshin (The Mountain Spirit), who is accompanied by puggish-looking tiger. And to the left is an equally elaborate painting dedicated to Dokseong (The Lonely Saint).
To the left of the Sanshin/Dokseong-gak hall, and down a small mountain trail behind the Daeung-jeon Hall, you’ll find an opening, where there’s a nine-story pagoda with a golden finial atop this stone structure. The base of the structure has nine reliefs of Geumgang-yeoksa (Vajra Warriors). As for each of the nine-stories of the structure, they have diminishing images of various Buddhas and Bodhisattvas adorning them as the pagoda moves upwards. Backing this pagoda is a larger statue dedicated to Yaksayeorae-bul (The Medicine Buddha). This statue is then backed by reliefs of Bodhisattvas like Gwanseeum-bosal (The Bodhisattva of Compassion) and Jijang-bosal, as well as images of the Four Heavenly Kings. It’s also from this vantage point that you get beautiful views of Mt. Geumosan off in the distance.
If you have the time and stamina, you can also enjoy Doseon-gul Cave to the southwest of the temple grounds. It’s under 100 metres to get there. And if you really have the time and stamina, you can continue southwest for about 200 metres to see Myeonggeum-pokpo Waterfall.
How To Get There
There are numerous buses that go from the Gumi Intercity Bus Terminal to get to Haeunsa Temple. There are buses like Bus #10, #11, #184, and #195. These buses will drop you off at the “Daegu Eunhaeng-ap hacha – 대구은행앞 하차” bus stop. The bus ride will take just 5 minutes. From here, you’ll then need to cross the road to the south and get on either Bus #27 or Bus #27-3. You’ll then need to get off at the “Geumosan-chulbal hacha – 금오산출발 하차” bus stop. This bus ride should take you an additional 7 minutes. From where the bus drops you off, you’ll need to head southwest towards Mt. Geumosan. You’ll need to head in this direction for about 500 metres, until you come to the Geumosan Cable Car Building. A return ticket, both there and back, will cost you 11,000 won. If you’d rather just one way, it’ll set you back 6,000 won. Once arriving on the other side, you’ll need to walk just 50 metres southwest to get to Haeunsa Temple.
Overall Rating: 7/10
Of course it’s the views at Haeunsa Temple that are the most impressive. Mt. Geumosan is a beautiful mountain with rugged terrain. In addition to the beautiful environs that envelop Haeunsa Temple, you can also enjoy the beautiful paintings that surround the exterior of the Daeung-jeon Hall, the pair of shaman murals inside the Sanshin/Dokseong-gak Hall, as well as the nine-story pagoda to the rear of the main hall. Haeunsa Temple presents a beautiful blend of things to see both artistically and naturally.
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