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Gwaneumseonwon Hermitage – 관음선원 (Sangju, Gyeongsangbuk-do)

The Korean Treasures at Gwaneumseonwon Hermitage in Sangju, Gyeongsangbuk-do.

Hermitage History

Gwaneumseonwon Hermitage is located in northwestern Sangju, Gyeongsangbuk-do in the southern foothills of Mt. Noeumsan (725.5 m). Gwaneumseonwon Hermitage is a hermitage directly associated with Namjangsa Temple; as such, it’s located some 300 metres north of Namjangsa Temple on the temple grounds. The name of the hermitage comes from the Bodhisattva Gwanseeum-bosal (The Bodhisattva of Compassion). It’s believed that the hermitage was first founded by Jingam as a meditation centre at the end of Unified Silla (668-935 A.D.). After its original construction, Gwaneumseonwon Hermitage was rebuilt several times including in 1668 and 1752. Later, and in 1797, the monk Boin rebuilt the Gwaneum-jeon Hall at the hermitage. This was subsequently followed by reconstruction of the hermitage in 1802 and 1878. And the reconstruction and expansion of the hermitage continues to the present day.

Gwaneumseonwon Hermitage is home to two Korean Treasures. They are the Wooden Amitabha Buddha and Bodhisattvas Altarpiece at Gwaneumseonwon Hermitage of Namjangsa Temple, which is Korean Treasure #923; and the Wooden Seated Avalokitesvara Bodhisattva at Gwaneumseonwon Hermitage of Namjangsa Temple, which is Korean Treasure #2067 as of June, 2020.

Hermitage Layout

You first approach the hermitage up a long winding country road to the rear of Namjangsa Temple. This road can be especially hazardous during a recent snowfall. From the hermitage parking lot, you’ll pass through a newly built entry pavilion, which also acts as small dorms for visitors from the inner courtyard.

Having stepped inside the main hermitage courtyard at Gwaneumseonwon Hermitage, you’ll notice a two-story structure to your right. This is the administrative office and kitchen, as well as a lecture hall on the second story of the structure. To your left of this structure, however, is the main draw to the hermitage. This rather long historic structure has a triple function. The first, and to the far right of the building, is the administrative office at the hermitage. And to the far left of the structure is the hermitage’s traditional storage area. But it’s in the centre of the structure, with the signboard over the entry, that you’ll find the Gwaneum-jeon Hall at Gwaneumseonwon Hermitage.

Stepping inside the central Gwaneum-jeon Hall, you’ll find a glass enclosure with both Korean Treasures housed inside it. The solitary image on the main altar is dedicated to Gwanseeum-bosal (The Bodhisattva of Compassion), and it’s the Wooden Seated Avalokitesvara Bodhisattva at Gwaneumseonwon Hermitage of Namjangsa Temple (T #2067). There is a lack of information as to when this statue was first made. It’s believed, however, to date back to the 15th century judging from its features such as its aristocratic appearance, the round coiled topknot, and several other features. There are just a few of these Buddha and Bodhisattva statues in Korea from the early Joseon Dynasty (1392-1910), which makes this statue an important one in the study of the history of Buddhist sculptures in Korea. During the repair and re-application of gold powder to the statue in 2012, a paper prayer was found inside the statue from an earlier repair that was completed in 1701.

And behind the Wooden Seated Avalokitesvara Bodhisattva at Gwaneumseonwon Hermitage of Namjangsa Temple is placed the other Korean Treasure at Gwaneumseonwon Hermitage: the Wooden Amitabha Buddha and Bodhisattvas Altarpiece at Gwaneumseonwon Hermitage of Namjangsa Temple (T #923). Typically a main altar statue or triad is backed by a large painting made of cloth or paper. The main altar statue at Gwaneumseonwon Hermitage, on the other hand, is backed by a golden wooden relief sculpture. This altarpiece relief measures 184 cm wide and 165 cm tall. Housed inside this altarpiece relief are four Bodhisattvas that are placed on either side (two on each side) of the central image of Amita-bul (The Buddha of the Western Paradise). On either side of the Bodhisattvas are two of the Buddha’s disciples: Ananda (5th–4th century B.C.) and Kashyapa. And on either side of the two disciples are the Four Heavenly Kings. Lotus flowers form at the bottom part of the relief. Amita-bul places his hands on his knees, and his thumb and middle finger are touching. The four Bodhisattvas are holding lotus flowers or clasping their hands. The figures in this altarpiece have square faces and bodies. It’s believed that the Wooden Amitabha Buddha and Bodhisattvas Altarpiece at Gwaneumseonwon Hermitage of Namjangsa Temple dates back to the 17th century.

The final structure that visitors can explore at Gwaneumseonwon Hermitage is the Samseong-gak Hall to the left rear of the Gwaneum-jeon Hall. The exterior walls to the shaman shrine hall are adorned with beautiful scenes from nature, as well as the Sinseon (Taoist Immortals). Stepping inside the Samseong-gak Hall, you’ll find three beautiful older murals dedicated to Chilseong (The Seven Stars), Dokseong (The Lonely Saint), and Sanshin (The Mountain Spirit).

How To Get There

To get to Gwaneumseonwon Hermitage, you’ll first need to get to the main temple, Namjangsa Temple. There are no direct buses that go to Namjangsa Temple from the Sangju Intercity Bus Terminal. Instead, you’ll need to take a taxi from the Sangju Intercity Bus Terminal to get to Namjangsa Temple. Fortunately, the distance isn’t terrible. In total, the taxi ride will last about 15 minutes, over 6.6 km, and it’ll cost you round 7,000 won (one way). To the rear of Namjangsa Temple, and heading north along the dirt road for 300 metres, you’ll eventually come to Gwaneumseonwon Hermitage.

Overall Rating: 6.5/10

It’s a bit tricky to rate Gwaneumseonwon Hermitage because it’s so small; and yet, it has two Korean Treasures. But the little known Gwaneumseonwon Hermitage has two of the more beautiful Korean Treasures that you’ll find at any Buddhist temple or hermitage in all of Korea. Of the two, it’s the Wooden Amitabha Buddha and Bodhisattvas Altarpiece at Gwaneumseonwon Hermitage of Namjangsa Temple altarpiece that’s the rarer of the two. There are only two known historic altar reliefs that includes neighbouring Namjangsa Temple and Yongmunsa Temple in Yecheon, Gyeongsangbuk-do. In addition to the simply stunning wooden altarpiece is the graceful image dedicated to Gwanseeum-bosal on the main altar. Excluding these two very obvious highlights, other things to keep an eye out for are the triad of shaman murals housed inside the Samseong-gak Hall and the older Shinjung Taenghwa (Guardian Mural) housed inside the Gwaneum-jeon Hall. While definitely a bit harder to get to; but in conjunction with a trip to neighbouring Namjangsa Temple, you can see a total of seven Korean Treasures in one location, which is almost unheard of at a smaller temple or hermitage. And they have two very friendly hermitage dogs, as well.

The entry gate at Gwaneumseonwon Hermitage.
And a look through the gate towards the Gwaneum-jeon Hall.
The administrative office at the hermitage.
A look towards the Gwaneum-jeon Hall.
An up-close at the entry to the Gwaneum-jeon Hall.
The Korean Treasures housed inside a glass enclosure at Gwaneumseonwon Hermitage.
The Samseong-gak Hall to the rear of the main hall.
The image of Chilseong (The Seven Stars) inside the Samseong-gak Hall.
Joined by this image of Dokseong (The Lonely Saint).
And this image of Sanshin (The Mountain Spirit).
One of the images adorning the Samseong-gak Hall.
And another.
And yet another in the series.
And one final one.
The view from the Samseong-gak Hall towards the Gwaneum-jeon Hall.
And one of the two hermitage dogs saying good-bye. (Picture courtesy of Joseph Bengivenni).

The US Leak about Ukraine’s Military Troubles Does Not Change Russia’s Inability to Exit the Ukrainian Quagmire with Anything like a ‘Victory’

skynews-ukraine-pentagon_6118871Russia is bogged down in a war it can’t win. A weaker-than-expected Ukrainian spring offensive does not change that. Russia’s still lacks a path to victory which remotely justifies the costs and isolation of the war, even if it manages to hang onto some Ukrainian territory.

The leaks strongly suggest that Ukraine’s offensives this year will be last successful than last year’s. Ukraine lacks the heavy and precise weaponry its needs (shame on us for dragging our feet on that stuff), and it has suffered tremendous casualties. This is unfortunate. I always thought hopes that Ukraine would win by the end of this calendar year were too optimistic. The war will likely last into next year at least.

But this doesn’t get Russia off the hook. It is still tied down in a costly, unwinnable quagmire. Even if the lines do not change much this year, Ukraine will not give up. It will fight a protracted, defense-in-depth, semi-insurgency conflict if necessary, biting at the Russians for years, looking for opportunities to strike; not allowing the Russians to withdraw; not allowing its conquered areas to be developed, exploited, or populate; not allowing Russia to escape from sanctions and isolation. A model here is the failed Japanese invasion of China in 1937. The Imperial Japanese Army could win battles but not the war, and conflict degenerated into a long, unwinnable slog which drained Japanese resources for no clear gain compared to the growing costs, including diplomatic isolation and sanction.

I have some other recent thoughts on the Ukraine war at 1945.com:

1. Russia Probably Can’t Win without Substantial Chinese Assistance. Excerpt:

The Russian spring offensive in Ukraine already appears to be running out of steam. No less than the President of Ukraine himself recently visited the frontlines’ most contested sector – the city of Bakhmut. Volodymyr Zelensky is known for his courage – he stayed in Kiev last February as the Russians marched on it. But visiting Bakhmut, against which the Russians have thrown the weight of their forces this spring, would be remarkably risky if the chances of Russian breakthrough were genuine.

Zelensky also felt secure enough this month to receive the Japanese prime minister in Kiev, at the same time Chinese President Xi Jinping visited Russian President Putin in Moscow. And certainly the frontlines have not moved much. Russia was supposed to come off the winter refreshed and restocked, capable once again of major offensive action. This has not been the case. There have been no armored punches threatening a breakthrough, no wide-front advances threatening to overstretch Ukrainian reserves.

Instead, Russia is doing again what it has done since last summer – targeting a few small cities in the east with massive, human-wave infantry assaults, while randomly terror-shelling Ukrainian cities. The former has resulted in high casualties and small advances, while the latter continues to alienate world opinion for pointlessly killing noncombatants. This is not a winning strategy, and if this is the best Putin has after just a year of war, it is unclear how expects to win if the war drags on as it appears it will.

2. Russian Nukes in Belarus are just another Saber-Rattling Gimmick by Putin. There is No Remotely Cost-Beneficial Scenario for Putin to Use Nukes in Ukraine or Against NATO. Excerpt:

Russian President Vladimir Putin plans to station tactical nuclear weapons in Belarus, Russia’s eastern neighbor. Belarus also borders Ukraine’s north, and Putin wants Minsk to participate more openly in his war against their shared neighbor. Belarusian dictator Alexander Lukashenko has acted warily with respect to Russia’s invasion, but he depends on Russian assistance to stay in power, especially after Putin helped him fight off mass protests in 2020. Lukashenko probably has little choice but to assent to the deployment of Russian nukes on his country’s territory.

Belarus also borders NATO countries. Putin’s emplacement of these weapons is likely meant as an oblique threat to the West. It fits Putin’s regular habit of talking up Russian nuclear weapons to unnerve Ukraine’s Western supporters. The tactic makes sense. Russian conventional power has embarrassed itself in Ukraine. Its army has struggled, and most of the world had expected a quick victory for Russian forces. Putin invokes Russia’s nukes to compensate. He has a long history of such bravado.

Putin’s Western sympathizers, who have talked up the possibility of World War III for over a year, will argue again that this deployment means we are sliding toward a global conflagration. But they are probably wrong. It remains unclear how invoking nukes will help Putin win a limited conventional war.

3. Russia’s Apathetic Response to Finland’s NATO Accession should End the ‘NATO-Expansion-Caused-War’ Argument.

It is widely understood now that Russian President Vladimir Putin blundered badly in his invasion of Ukraine. He planned the war as a fait accompli blitzkrieg. The whole thing would end in a week or two. Putin would re-organize post-Soviet space in one swift stroke. NATO would be caught off guard and scared about further Russian moves. China would be impressed at Putin’s audacity, helping to off-set the unbalanced economic relationship between the two countries. The world would once again be impressed by Putin the master strategist.

Instead, the war has turned into an expensive, embarrassing, debilitating calamity. Russia may still win in the minimal sense of holding onto some conquered territory. But in every other important aspect, the war has been a disaster, and it is getting worse, not better.

Economically, the sanctions placed on Russia because of the war are pummeling its GDP. Politically, Russia is mostly alone. China and India have not supported the sanctions but otherwise kept their distance. Militarily, the war has turned into a stalemate, tilting slowly toward the Ukrainians. Russia has taken no new territory in a year. Ukraine has launched two successful offensives since then, and another is expected later this spring. And now, strategically, Russia has just suffered another set-back. Finland has joined NATO.

Robert E Kelly
Assistant Professor
Department of Political Science & Diplomacy
Pusan National University

@Robert_E_Kelly

 

 

This pork cutlet will KILL YOU!

I still don't know why anyone would purposefully want to go here and eat it, but I did. I met up with Natalia Garza and we attempted to eat the spiciest tonkatsu in Korea. No, actually it's the spiciest tonkatsu in the world - by far.

Again, why did we do this? Who would do this to themselves? Well, we did.

The post This pork cutlet will KILL YOU! appeared first on Learn Korean with GO! Billy Korean.

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Colonial Korea – Haeinsa Temple

A Monk Standing Next to the Rows of Printing Woodblocks of the Tripitaka Koreana in Haeinsa Temple. (Picture Courtesy of the National Museum of Korea).

Temple History

Haeinsa Temple, which is located in Hapcheon, Gyeongsangnam-do, means “Ocean Seal Temple” in English. The name of the temple is in reference to the “Ocean Seal” samadhi (meditative consciousness) from the Avatamsaka Sutra, or “Flower Garland Sutra” in English, or “Hwaeom-gyeong” in Korean. The reason for this reference is the idea that the mind is like the surface of a perfectly calm sea. And it’s from this that the true image of our existence is clearly reflected and everything appears as it is.

Alongside Tongdosa Temple in Yangsan, Gyeongsangnam-do and Songgwangsa Temple in Suncheon, Jeollanam-doHaeinsa Temple forms the Three Jewel Temples (삼보사찰, or “Sambosachal” in English). Tongdosa Temple represents the Buddha, Songgwangsa Temple represents the Sangha, and Haeinsa Temple represents the Dharma.

It’s believed that Haeinsa Temple was first established in 802 A.D. by the monks Suneung and Ijeong. However, and predating Suneung and Ijeong founding Haeinsa Temple, there is a legend that claims that the famed Uisang-daesa (625-702 A.D.) first founded Haeinsa Temple in the mid-600s as a hermitage. With that being said, the founding of Haeinsa Temple is more firmly rooted in masters Suneung and Ijeong, who were religious descendants of Uisang-daesa’s Hwaeom-jong, or “Flower Garland Sect” in English. Haeinsa Temple would become one of the Ten Monasteries of Hwaeom, or the Hwaeom Sipchal in Korean. Suneung and Ijeong founded the temple upon their return from their religious studies in Tang China (618–690, 705–907 A.D.). According to one temple legend, the two monks helped heal the wife of King Aejang of Silla (r. 800 – 809 A.D.). Suneung and Ijeong studied Esoteric Buddhism, or Chongji-jong in Korean, while in Tang China. Purportedly, the wife of King Aejang of Silla had a tumour. The monks tied a piece of silk thread around the tumour and attached it to a neighbouring tree. They then chanted Esoteric Buddhist verses, or jin-eun in Korean, that they had learned in Tang China. Miraculously, and through these Buddhist chants, the tumour vanished, while the tree withered and eventually died. Grateful, King Aejang of Silla (r. 800-809 A.D.) granted the two monks funding that they would need to build a new temple wherever they wanted it. Surprisingly, the two monks chose to construct their new temple in the remote mountains of Mt. Gayasan. They would become the first and second abbots of Haeinsa Temple.

Haeinsa Temple also played a pivotal role in the assumption of King Taejo of Goryeo (r. 918-943 A.D.), or Taejo Wang Geon, to the throne. For this, the monk Huirang, who was the fifth abbot of Haeinsa Temple, or “Juji” in Korean, was rewarded for his loyalty. Huirang, and through him, Haeinsa Temple, received substantial royal patronage from King Taejo of Goryeo. As a result, Haeinsa Temple went from a mid-sized temple to a major temple. This resulted in hundreds of monks being able to study and practice at Haeinsa Temple and the Hwaeom teachings.

Fortunately, Haeinsa Temple has been protected from plundering and destruction because of its remote and isolated location unlike other famous Buddhist temples on the Korean Peninsula. Such was the case in 1592, when the Korean Peninsula was invaded by the Japanese during the Imjin War (1592-1598). In fact, the Japanese intended to cart the woodblocks of the Tripitaka Koreana back to Japan. However, the monk Seosan-daesa (1520-1604) organized a legion of Buddhist monks known as the Righteous Army to fight in defence of the nation under the leadership of Samyeong-daesa (1544-1610), who was a disciple of Seosan-daesa. This force was stationed out of Haeinsa Temple, and they fought, and won, against the Japanese army by employing guerrilla tactics through the Hongnyu-dong Valley. This victory allowed for the precious Tripitaka Koreana woodblocks to be spared from Japanese plundering.

Throughout the centuries, Haeinsa Temple has undergone numerous expansions like in 1488, 1622, and 1644. Tragically, most of Haeinsa Temple was destroyed by fire in 1817. In total, Haeinsa Temple has suffered seven disastrous fires with varying degrees of destruction. Fortunately, the fire of 1817 spared the Janggyeong-panjeon (National Treasure #52) and the Tripitaka Koreana (National Treasure #32) housed inside the ancient library.

Later, and during the Korean War (1950-1953), communist guerrillas attempted to use Haeinsa Temple as their base. However, the abbot of Haeinsa Temple, Master Hyodang, thwarted this attempt, and he was able to convince them to withdraw from the temple grounds. Additionally, the South Korean army didn’t know of this withdrawal, so they ordered airplanes to bomb and destroy Haeinsa Temple. Thankfully, the pilot refused this order and helped preserve Haeinsa Temple.

More recently, Haeinsa Temple underwent renovations during the 1960s to 1970s. This was done through funding by President Park Chung-hee (1917-1979). This was meant to help further tourism and rebuild and re-establish pride in Korea. In total, the Haeinsa Temple grounds is home to seventeen hermitages, which is one of the largest collections of hermitages on a temple site in Korea.

Haeinsa Temple is home to four National Treasures, 19 Korean Treasures, the temple itself is a Scenic Site and it’s also a Historic Site. Haeinsa Temple, and more specifically, the Janggyeongpanjeon Depositories of Haeinsa Temple and the Printing Woodblocks of the Tripitaka Koreana in Haeinsa Temple, have been a UNESCO World Heritage Site since 1995.

A special thank you goes out to Prof. David Mason for the amazing information that he provides on his website, especially the history of Haeinsa Temple. Please check it out!

Colonial Era Photography

It should be noted that one of the reasons that the Japanese took so many pictures of Korean Buddhist temples during Japanese Colonial Rule (1910-1945) was to provide images for tourist photos and illustrations in guidebooks, postcards, and photo albums for Japanese consumption. They would then juxtapose these images of “old Korea” with “now” images of Korea. The former category identified the old Korea with old customs and traditions through grainy black-and-white photos.

These “old Korea” images were then contrasted with “new” Korea images featuring recently constructed modern colonial structures built by the Japanese. This was especially true for archaeological or temple work that contrasted the dilapidated former structures with the recently renovated or rebuilt Japanese efforts on the old Korean structures contrasting Japan’s efforts with the way that Korea had long neglected their most treasured of structures and/or sites.

This visual methodology was a tried and true method of contrasting the old (bad) with the new (good). All of this was done to show the success of Japan’s “civilizing mission” on the rest of the world and especially on the Korean Peninsula. Furthering this visual propaganda was supplemental material that explained the inseparable nature found between Koreans and the Japanese from the beginning of time. 

To further reinforce this point, the archaeological “rediscovery” of Japan’s antiquity in the form of excavated sites of beautifully restored Silla temples and tombs found in Japanese photography was the most tangible evidence for the supposed common ancestry both racially and culturally. As such, the colonial travel industry played a large part in promoting this “nostalgic” image of Korea as a lost and poor country, whose shared cultural and ethnic past was being restored to prominence once more through the superior Japanese and their “enlightened” government. And Haeinsa Temple played a large part in the the propagation of this propaganda, especially since it played such a prominent role in Korean Buddhist history and culture. Here are a collection of Colonial era pictures of Haeinsa Temple through the years.

Pictures of Colonial Era Haeinsa Temple

1910

The Honghamun Gate at the entry to Haeinsa Temple. (All pictures courtesy of the National Museum of Korea).
A closer look up at the eaves of the entry gate.
The three-story pagoda in the courtyard at Haeinsa Temple.
The Daejeokgwang-jeon Hall.
A look up at the exterior eaves of the Daejeokgwang-jeon Hall.
A look around the interior of the Daejeokgwang-jeon Hall.
The main altar statue of Birojana-bul (The Buddha of Cosmic Energy) inside the Daejeokgwang-jeon Hall.
The Bronze Bell of Haeinsa Temple.
A closer look at the Bronze Bell of Haeinsa Temple.
A look up at the eaves of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
Monks next to the three-story pagoda at Haeinsa Temple.
A monk in front of the three-story pagoda.
A gathering of monks in front of the Daejeokgwang-jeon Hall.
And children in front of the Daejeokgwang-jeon Hall, as well.
Neighbouring Hongjeam Hermitage on the Haeinsa Temple grounds.
The budo (stupa) of Samyeong-daesa at Hongjeam Hermitage.
And the intact Stupa of Buddhist Monk Samyeong and Stele at Hongjeam Hermitage of Haeinsa Temple before it was destroyed in 1943.

Pictures of Colonial Era Haeinsa Temple

1915

The Bronze Bell of Haeinsa Temple.
The Korean Treasure at a different angle.

Pictures of Colonial Era Haeinsa Temple

1927

The entire temple grounds.
The Daejeokgwang-jeon Hall.
The Janggyeongpanjeon Depositories of Haeinsa Temple.
A look inside the Janggyeongpan-jeon Depositories of Haeinsa Temple at the Printing Woodblocks of the Tripitaka Koreana in Haeinsa Temple.
And the western part of the Janggyeongpan-jeon Depositories of Haeinsa Temple from 1929.

Pictures of Colonial Era Haeinsa Temple

1934

The temple grounds at Haeinsa Temple.
The Iljumun Gate.
The danggan-jiju flag supports near the Iljumun Gate.
Stone markers near the entry of the temple grounds.
A budowon at Haeinsa Temple.
A closer look at a collection of three budo (stupa).
The Daejeokgwang-jeon Hall.
The three-story pagoda at Haeinsa Temple.
A seokdeung (stone lantern) at Haeinsa Temple.
The stone foundation to the Daejeokgwang-jeon Hall.
The Janggyeongpan-jeon Depositories of Haeinsa Temple.
The front facade to the Janggyeongpan-jeon Depositories of Haeinsa Temple.
A look inside the Janggyeongpan-jeon Depositories of Haeinsa Temple at the Printing Woodblocks of the Tripitaka Koreana in Haeinsa Temple.
Inside the courtyard of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
The courtyard from a different angle.
A long view of the courtyard of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
One of the smaller buildings of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
And another of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
An auxiliary building at Haeinsa Temple.
A large stone basin at Haeinsa Temple.
The Gilsang-tap Pagoda of Haeinsa Temple.
Another image of the Gilsang-tap Pagoda of Haeinsa Temple.
A look towards the budowon at Hongjeam Hermitage on the Haeinsa Temple grounds.
The Stupa of Buddhist Monk Samyeong and Stele at Hongjeam Hermitage of Haeinsa Temple.
Wondangam Hermitage on the Haeinsa Temple grounds.
The Multi-Story Stone Pagoda and Stone Lantern at Wondangam Hermitage of Haeinsa Temple.

Pictures of Colonial Era Haeinsa Temple

1936

The Gugwang-ru Pavilion at Haeinsa Temple.
Inside the Gugwang-ru Pavilion.
A ceremonial bronze bell at Haeinsa Temple.
From a different angle.

Pictures of Colonial Era Haeinsa Temple

Specific Dates Unknown (1909-1945)

A look down on Haeinsa Temple.
Haeinsa Temple and Mt. Gayasan in the background.
The Iljumun Gate at Haeinsa Temple.
The Gugwang-ru Pavilion
The Daejeokgwang-jeon Hall.
The temple courtyard in front of the Daejeokgwang-jeon Hall
The three-story pagoda in front of the Daejeokgwang-jeon Hall.
The Daejeokgwang-jeon Hall from the side.
A look inside the Daejeokgwang-jeon Hall.
A look up at the ceiling of the Daejeokgwang-jeon Hall.
The foundation to the Bogwang-jeon Hall.
The stairs leading up to the Janggyeongpan-jeon Depositories of Haeinsa Temple.
Inside the inner courtyard of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
One of the smaller side buildings of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
A look up at the eaves of the smaller side building of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
A look around the interior of the Janggyeongpan-jeon Depositories of Haeinsa Temple.
A monk alongside some of the Printing Woodblocks of the Tripitaka Koreana in Haeinsa Temple.
Inside the Janggyeongpan-jeon Depositories of Haeinsa Temple.
A look down the narrow passageways.
The Janggyeongpan-jeon Depositories of Haeinsa Temple and Printing Woodblocks of the Tripitaka Koreana in Haeinsa Temple.
A closer look at the Printing Woodblocks of the Tripitaka Koreana in Haeinsa Temple.
And one more look.
Outside the Janggyeongpan-jeon Depositories of Haeinsa Temple.
And the Janggyeongpan-jeon Depositories of Haeinsa Temple from a different angle.
Different looks of the Gilsang-tap Pagoda of Haeinsa Temple.
The Gilsang-tap Pagoda of Haeinsa Temple from a different angle.
And the Gilsang-tap Pagoda of Haeinsa Temple from yet another angle.
The large water basin at Haeinsa Temple.

Do You Remember? 기억하다 vs 기억나다 | Korean FAQ

기억하다 and 기억나다 are two verbs that mean "to remember" that are commonly used incorrectly, so I wanted to clarify how they're different.

Both 기억하다 and 기억나다 are commonly used, and both translate as "to remember," but have different meanings and uses. In this video I explain how to use each of them, and how they're different.

The post Do You Remember? 기억하다 vs 기억나다 | Korean FAQ appeared first on Learn Korean with GO! Billy Korean.

Ganwolsa-ji Temple Site – 간월사지 (Ulju-gun, Ulsan)

The Stone Seated Buddha at Ganwolsa Temple Site in Ulju-gun, Ulsan.

Temple Site History

The Ganwolsa-ji Temple Site is located in Ulju-gun, Ulsan in the eastern foothills of Mt. Ganwolsan (1,069.1 m) up a long valley. It’s believed that the original Ganwolsa Temple was first built by Jajang-yulsa (590-658 A.D.) during the reign of Queen Jindeok of Silla (r. 647-654 A.D.). Later, the temple was destroyed by the invading Japanese during the Imjin War (1592-1598) in 1592. Ganwolsa Temple would eventually be rebuilt in 1634 during the mid-Joseon Dynasty (1392-1910). The temple would last until 1836, when it seems as though the temple was abandoned after a large crop failure in the area and subsequent famine according to the Eonyang-hyeon Hojeokdaejang, or The Census Register of Eonyang-hyeon in English.

After the temple was closed in the late-Joseon Dynasty, the surrounding area, including the temple site, were reclaimed by nature and repurposed into working fields. As a result, the exact size of the former temple is largely unknown. In 1984, Dong-a University conducted an excavation survey of the temple site. And this was followed in 2016 by the Cultural Heritage Administration, or “CHA” for short, conducting a full-scale excavation survey of the Ganwolsa-ji Temple Site. From the latest archaeological work conducted on the site, and through the examination of the Geumdang-ji (Main Hall Site), the north and south pagodas, and statues found at the temple site, it’s believed that the Ganwolsa-ji Temple Site dates back to at least the mid-8th century.

Originally, the Ganwolsa-ji Temple Site was designated as a historic site in Gyeongsangnam-do on August 2, 1983. This subsequently changed on October 9, 1997, when Ulsan became its own autonomous city, the Ulsan Metropolitan City, on July 15, 1997. Now, the Ganwolsan-ji Temple Site is known as a historic site in Ulsan.

Lastly, there is one Korean Treasure at the Ganwolsa-ji Temple Site. It’s the Stone Seated Buddha at Ganwolsa Temple Site, which is Korean Treasure #370.

The Ganwolsa-ji Temple Site in Ulju-gun, Ulsan in 1982. (Picture courtesy of the CHA).

Temple Site Layout

When you first enter the temple site grounds, you’ll notice a tourism booth to your left and the site’s bathrooms to your right. Straight ahead of you, and at a bit of an angle, is the newly built shrine hall that now houses the Stone Seated Buddha at Ganwolsa Temple Site. Out in front of the pavilion are a pair of book-ending statues that look just as equally old as the Korean Treasure housed inside the neighbouring pavilion. But for as successful as the artistry is on the Stone Seated Buddha at Ganwolsa Temple Site, the two book-ending statues are a little less successful with their caricature-like faces. It’s unclear whether the statues are meant to represent a Buddha, a Nahan (The Historical Disciples of the Buddha), or a monk, but they’re just not that great. It should be noted that while the bodies of these statues appear to date back to the Silla Dynasty, the faces seem to be a much later addition after the original heads were lost. The current heads to these statues appear to date back to the late-Joseon Dynasty, which gives the statues their caricature-like appearances. And to the right of the pavilion and the twin statues is an older budo (stupa).

Stepping inside the newly built pavilion that houses the Stone Seated Buddha at Ganwolsa Temple Site, you’ll be welcomed by a ninth century Silla-era statue of a seated Seokgamoni-bul (The Historical Buddha). The statue is slightly damaged; but overall, it’s well preserved. On top of the head, there is a slight protrusion known as a usnisa, which is meant to represent the Historical Buddha’s supreme wisdom. But with curly hair, the topknot is hard to discern. As for the face of the statue, it has a smooth, plump face that appears serene. It has long eyes and small ears. Overall, it has a very human quality to its face. The robe that adorns the Buddha is thin, and it covers his shoulders. The statue rests upon a stone lotus bud platform. And the base of the platform that supports the statue is surrounded by various guardians.

A map of the temple site grounds.

To the left of this fenced-off enclosure, and up the hillside, are the North and South Pagodas. Officially, these two pagodas are known as the Ganwolsa-ji Temple Site North-South Three-Story Pagodas. The pagoda to the left, and up the steeper hillside, is the South Pagoda. It’s believed that both pagodas date back to the 8th century during Unified Silla (668-935 A.D.). The three-story pagoda rests atop of stylobate with pillar patterns around its surfaces. The base of the pagoda remains simplistically unadorned. As for the first body stone of the stone structure, it has reliefs of large doors and a pair of Geumgang-yeoksa (Vajra Warriors) on either side of the entryways. All four sides of the first body stone are adorned with the same relief. The other two body stones, the second and third story, remain unadorned. Additionally, the entire finial is missing from atop the South Pagoda.

Across the open field, past the Geumdang-ji (Main Hall Site), and running parallel to the South Pagoda is the North Pagoda of the Ganwolsa-ji Temple Site North-South Three-Story Pagodas. The North Pagoda, unlike the South Pagoda, is partially hidden in a cluster of trees and perched atop a rocky knoll. Both the North and South Pagodas are almost identical in design with only minor differences in their reliefs. The two pagodas, rather uniquely, are positioned slightly higher than that of the former main hall at the Ganwolsa-ji Temple Site.

The former shrine hall at the Ganwolsa-ji Temple Site, and where the Stone Seated Buddha at Ganwolsa Temple Site was formerly housed. (Picture courtesy of the CHA).

Backtracking a bit, you’ll find the squarish former location of the main hall, the Geumdang-ji (Main Hall Site). The site is now covered with a black tarp and stones to hold the tarp in place after the CHA excavation. However, even though the main hall site is both tarped-off and fenced-off, you get a good idea of the size of the former main hall.

To the rear of the Geumdang-ji (Main Hall Site) are a collection of rocks, presumably from the last excavation. Rather interestingly, behind the North Pagoda, and down from the large collection of rocks, is an abandoned shrine hall. This is where the Stone Seated Buddha at Ganwolsa Temple Site was formerly housed. The historic statue was housed alongside an image of Gwanseeum-bosal (The Bodhisattva of Compassion) and a Shinjung Taenghwa (Guardian Mural). Not sure why this shrine hall was abandoned, but it has been. The last thing that visitors can enjoy at the Ganwolsa-ji Temple Site is a circular relief of Yongwang (The Dragon King) to the front left of the former shrine hall.

How To Get There

From Ulsan train station, there’s a bus stop right in front of the station. From this bus stop, you’ll need to take Bus #304 or Bus #323. You’ll need to get off at the bus stop named “Ganwol-ipgu – 간월입구.” From here, you’ll find the temple site.

Or you can simply take a taxi to get to the Ganwolsa-ji Temple Site. By taxi, it’ll take 20 minutes over 8.7 km, and it’ll cost you 9,300 won (one way). This might be a better alternative, if you’re traveling in a group.

Overall Rating: 6/10

The entire former temple site has a beautiful serenity to it. Almost immediately upon entering the temple site grounds, you’ll find a newly built shrine hall that houses the beautiful Stone Seated Buddha at Ganwolsa Temple Site. This Korean Treasure is joined by the Ganwolsa-ji Temple Site North-South Three-Story Pagodas, which, rather surprisingly, aren’t at least Korean Treasures. Perhaps one day they will be after the recent excavation.

The newly constructed wooden pavilion that houses the Stone Seated Buddha at Ganwolsa Temple Site.
One of two not so elegant 8th to 9th century statues (head late-Joseon) in front of the wooden pavilion.
A first look at the Korean Treasure at the Ganwolsa-ji Temple Site.
A closer look at the Stone Seated Buddha at Ganwolsa Temple Site.
A closer look at the serene face of the Buddha, Seokgamoni-bul.
And the pedestal that it sits upon.
A look towards the not so elegant Silla-era statue (head late-Joseon), as you make your way towards the main temple site grounds.
The South Pagoda.
A look around the first-story of the three story structure with reliefs of the Geumgang-yeoksa (Vajra Warriors) adorning each of the four sides.
A look across the Geumdang-ji (Main Hall Site) towards the South Pagoda.
A look towards the North Pagoda on the rocky knoll.
A better look.
And the relief of Yongwang (The Dragon King) near the abandoned temple shrine hall on the northwest side of the grounds.

Colonial Korea – Buseoksa Temple

Inside the Muryangsu-jeon Hall at Buseoksa Temple from 1935. (Picture Courtesy of the National Museum of Korea).

Temple History

Buseoksa Temple, which means “Floating Rock Temple” in English, is located in Yeongju, Gyeongsangbuk-do. It’s also one of Korea’s most famous temples. Buseoksa Temple is home to five National Treasures and five additional Korean Treasures. As for the temple itself, Buseoksa Temple was first established by the famed monk, Uisang-daesa (625-702 A.D.), under the royal decree of King Munmu of Silla (r. 661-681 A.D.), in 676 A.D. There were a few reasons for the Silla Kingdom’s royal support in establishing Buseoksa Temple. The first is that it would help promote the ideas behind Hwaeom (Huayan) Buddhism throughout the Korean Peninsula, and Buseoksa Temple would also act as the base to help spread the message of Hwaeom Buddhism.

Interestingly, after Uisang-daesa found the site to build Buseoksa Temple, about five hundred non-believers attempted to prevent the famed monk from building the new temple. During the establishment of Buseoksa Temple, the political climate was extremely unstable and tenuous after the unification of the Korean Peninsula by the Silla Kingdom (57 B.C. – 935 A.D.) after defeating the Baekje (18 B.C. – 660 A.D.) and Goguryeo (37 B.C. – 668 A.D.) Kingdoms. In fact, Buseoksa Temple was built near a strategic pass, which was the boundary between the Goguryeo and Silla Kingdoms. So with the building of Buseoksa Temple, The Silla Kingdom (57 B.C. – 935 A.D.) possessed a significant position on the peninsula that would allow for greater administration and management. And with Hwaeom Buddhism’s focus on the principles of unity and harmony, it was hoped that Buseoksa Temple, in part, would help quell some of the social unrest at this time in Korean history.

When Buseoksa Temple was first built, Uisang-daesa held assemblies at the temple for forty days and gave talks on the Flower Garland Sutra, or the “Hwaeom-gyeong – 화엄경” in Korean. Uisang-daesa preached and taught Hwaeom Buddhism from thatched houses and grottoes around the Taebaek and Sobaek mountain ranges. This allowed him to spread Hwaeom Buddhism throughout the region. In total, Uisang-daesa would have three thousand disciples who were taught directly from Buseoksa Temple.

The current configuration of the temple, which includes the huge stone stairs, was most likely completed after Uisang-daesa’s lifetime. The most reliable evidence points to the time of King Gyeongmun of Silla’s reign from 861 – 875 A.D. And once again, it was completed with significant Silla state support.

During the Goryeo Dynasty (918-1392), Buseoksa Temple was known as either Seondalsa Temple (a variation of Buseoksa) or Heunggyosa Temple (a reference to the revival of the Hwaeom Sect). Then, under the supervision of the monk Wonyung-guksa (964-1053), Buseoksa Temple reached it artistic and architectural zenith. An imprinting of the Tripitaka Korean blocks took place at this time. And the partial remains of these imprinting blocks remain to this day. Also, Buseoksa Temple at this time underwent significant expansion.

In fact, records state that the Muryangsu-jeon Hall and the Josa-dang Hall were reconstructed around 1377. Furthermore, while it’s probable that the Josa-dang Hall was repaired in 1377, it’s unlikely that the Muryangsu-jeon Hall was based on its architectural style. Instead, it’s more likely that the Muryangsu-jeon Hall was rebuilt about one hundred and fifty years earlier, which makes it an early 13th century building rather than a late 14th century structure. It would seem that the records confused reconstruction with repair.

The repair and reconstruction of Buseoksa Temple continued during the Joseon Dynasty (1392-1910). This included the large rebuilding and reconstruction conducted by Samyeong-daesa (1544-1610) in 1580. As well as the restoration of several shrine halls in 1748 after a destructive fire in 1746.

During the Japanese Colonization of Korea from 1910-1945, both the Muryangsu-jeon Hall and the Josa-dang Hall were disassembled and reassembled in 1916. And after Korean independence, these two structures underwent further repair in 1967. Remnants of twin pagodas at the old temple site were used to build a pair of pagodas to the left and right of the Beomjong-gak Pavilion. Also, the Jain-dang Hall was built at this time up near the Josa-dang Hall; and both the Iljumun Gate and the Cheonwangmun Gate started to be built in 1977 and completed in 1980.

Colonial Era Photography

It should be noted that one of the reasons that the Japanese took so many pictures of Korean Buddhist temples during Japanese Colonial Rule (1910-1945) was to provide images for tourism and illustrations in guidebooks, postcards, and photo albums for Japanese consumption. They would then juxtapose these images of “old Korea” with “now” images of Korea. The former category identified the old Korea with old customs and traditions through grainy black-and-white photos.

These “old Korea” images were then contrasted with “new” Korea images featuring recently constructed modern colonial structures built by the Japanese. This was especially true for archaeological or temple work that contrasted the dilapidated former structures with the recently renovated or rebuilt Japanese efforts on the old Korean structures contrasting Japan’s efforts with the way that Korea had long neglected their most treasured of structures and/or sites.

This visual methodology was a tried and true method of contrasting the old (bad) with the new (good). All of this was done to show the success of Japan’s “civilizing mission” on the rest of the world and especially on the Korean Peninsula. Furthering this visual propaganda was supplemental material that explained the inseparable nature found between Koreans and the Japanese from the beginning of time. 

To further reinforce this point, the archaeological “rediscovery” of Japan’s antiquity in the form of excavated sites of beautifully restored Silla temples and tombs found in Japanese photography was the most tangible evidence for the supposed common ancestry both racially and culturally. As such, the colonial travel industry played a large part in promoting this “nostalgic” image of Korea as a lost and poor country, whose shared cultural and ethnic past was being restored to prominence once more through the superior Japanese and their “enlightened” government. And Buseoksa Temple played a part in the propagation of this propaganda, especially since it played such a prominent role in Korean Buddhist history and culture. Here are a collection of Colonial era pictures and drawings of Buseoksa Temple through the years.

Pictures of Colonial Era Buseoksa Temple

1912

A look up at the temple grounds. (All pictures courtesy of the National Museum of Korea).
A look up at the Muryangsu-jeon Hall (left) and the Anyang-ru Pavilion (right).
The Eunghyang-gak Hall.
The floating rock that gives Buseoksa Temple its very name.
The Stone Seated Sakyamuni Buddha of Buseoksa Temple with other statues now housed to the west of the Josa-dang Hall.
A stone stupa (budo) at Buseoksa Temple.

Pictures of Colonial Era Buseoksa Temple

1915

A look at the temple grounds at Buseoksa Temple.
The historic Josa-dang Hall.

Pictures of Colonial Era Buseoksa Temple

1918

The Muryangsu-jeon Hall (background) and Stone Lantern at Muryangsujeon Hall of Buseoksa Temple (foreground).
The destroyed Wonyung-guksa biseok (stele).

Pictures of Colonial Era Buseoksa Temple

1935

The view from the southwest of the temple grounds.
And the view from the west.
The Stone Lantern at Muryangsujeon Hall of Buseoksa Temple.
The Three-Story Stone Pagoda of Buseoksa Temple.
The Muryangsu-jeon Hall at Buseoksa Temple.
A look inside the Muryangsu-jeon Hall at the main altar.
A closer look at the main altar image of the Clay Seated Buddha of Buseoksa Temple.
At a different angle.
And from the side.
And an up-close of the Clay Seated Buddha of Buseoksa Temple.
The historic Josa-dang Hall with written graffiti on the eastern side of the exterior wall.
The stone artifacts to the rear of the temple grounds.
One of the Stone Seated Buddhas in Bukji-ri.
The headless Stone Seated Sakyamuni Buddha of Buseoksa Temple.
The same statue with a reattached head.
A budowon at Buseoksa Temple.
And the biseok (stele) dedicated to Wonyung-guksa.

Pictures of Colonial Era Buseoksa Temple

Specific Dates Unknown (1909-1945)

The Muryangsu-jeon Hall.
The Muryangsu-jeon Hall with the Stone Lantern at Muryangsujeon Hall of Buseoksa Temple (foreground).
A look up at the eaves of the Muryangsu-jeon Hall.
A look inside the Muryangsu-jeon Hall at the main altar.
A frontal view of the amazing Clay Seated Buddha of Buseoksa Temple.
And an up-close.
The mandorla that surrounds the Clay Seated Buddha of Buseoksa Temple.
At a different angle.
A tilting Three-Story Stone Pagoda of Buseoksa Temple.
The historic Josa-dang Hall.
And a stupa at Buseoksa Temple. Unclear who it belongs to.
The biseok dedicated to Wonyung-guksa.

Pictures of the Architectural Plans of Buseoksa Temple from the Colonial Era

Specific Dates Unknown (1909-1945)

A map of the temple grounds.
The front of the Muryangsu-jeon Hall.
The side ceiling bracketing of the Muryangsu-jeon Hall.
The front ceiling bracketing of the Muryangsu-jeon Hall.
The bracketing to the Muryangsu-jeon Hall from below.
The floor plan to the Muryangsu-jeon Hall.
The architectural plans to the Josa-dang Hall.
The view from the front of the Josa-dang Hall.
The floor plan to the Josa-dang Hall.
And the bracketing to the Josa-dang Hall.

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There are only two more videos remaining in this series, and the next episode (V) will be posted after 2 weeks.

The post Why Jimin can NEVER “fix” his Busan Dialect | BTS Analyzed appeared first on Learn Korean with GO! Billy Korean.

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The post Future Tense 것이다 vs 겠다 | Live Class Abridged appeared first on Learn Korean with GO! Billy Korean.

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