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Daewonsa Temple – 대원사 (Boseong, Jeollanam-do)

Inside the Geukrak-jeon Hall at Daewonsa Temple in Boseong, Jeollanam-do.

Temple History

Daewonsa Temple is located in Boseong, Jeollanam-do to the north of Mt. Cheonbongsan (611.7 m), which means “Phoenix Mountain” in English. Purportedly, the temple was built by the monk Ado in 503 A.D. in the Baekje Kingdom (18 B.C. – 660 A.D.). During Later Silla (668-935 A.D.), Daewonsa Temple was one of eight major temples in the Nirvana Order. Also, it makes the claim that it was one of the Five Gyo (doctrinal) and Nine Seon (meditative) temples.

During the Goryeo Dynasty (918-1392), Jajin Wono-guksa, who helped finish the Koreana Tripitaka engravings at Seonwonsa Temple on Ganghwa-do Island, then traveled down to Daewonsa Tepmle to help re-build shrine halls and monks’ living quarters at the temple in Boseong in 1250.

During the Joseon Dynasty (1392-1910), in 1759, Hyeon Jeong-seonsa rebuilt twelve of the buildings and shrine halls at Daewonsa Temple. Later, between October and November of 1948, and during the Yeosu-Suncheon Rebellion, the entire temple complex, and all twenty of its buildings, were completely destroyed at Daewonsa Temple except for the Geukrak-jeon Hall.

In 1990, the Daewonsa Restoration Committee was formed and the temple grounds were rebuilt once more. In total, Daewonsa Temple is home to two Korean Treasures. They are the Mural Paintings in Geungnakjeon Hall of Daewonsa Temple, Boseong (Avalokitesvara Bodhisattva and Buddhist Monk Bodhidharma), which is Korean Treasure #1861 and the Buddhist Paintings of Daewonsa Temple, Boseong (Ksitigarbha Bodhisattva and Ten Underworld Kings). In addition to these Korean Treasures, Daewonsa Temple is home to a pair of Jeollanam-do Tangible Assets.

Also of interest is the six kilometre long road leading up to Daewonsa Temple, which is called The Cherry Road to Daewonsa Temple. It was selected as one of the one hundred most scenic roads in Korea. And according to Pungsu-jiri, the road is considered like an umbilical cord, the temple is considered to be within the uterus, while the peak of the mountain is meant to be a phoenix sitting upon its nest.

Temple Legend

According to a temple sign at Daewonsa Temple, there was a monk named Kim Jijang. Kim Jijang, whose birth name was Kim Gyogak (696-794 A.D.), was the son of King Seongdeok of Silla (r. 702 – 737 A.D.), so Kim Jijang was born a prince in 696 A.D. Kim Jijang became a monk when he was twenty-four years old, and he received the Buddhist name of “Jijang.” At the time of taking his precepts, Jijang received a white Sapsali, which is a Korean indigenous dog. He also received Korean pine tree seeds, rice seeds, millet, and tea. He then moved to China. While in China, he stayed near Mt. Guhwa, which is known as Mt. Jiuhua in China. There, he practiced the life of a monk, and he taught people Buddhist teachings.

At the age of ninety-nine, and after living for seventy-five years in this remote part of China, on July 30th, 794 A.D., Kim Jijang entered Nirvana. Upon his departure, he left a message that said, “Please don’t cremate my body. Just put my body into a stone box. And please open the box after the new year. If the body has not decayed, then paint my body gold.”

After three years, people saw Jijang’s body, and they saw that his face still looked alive and his skin looked soft. In fact, his body emitted the smell of incense from it. So in 797 A.D., people put his body into a shrine at Mt. Guhwa. This shrine is now called “Yukshinbo-jeon – 육신보전,” and it means “Preserving the Body Hall” in English. It’s believed that Kim Jijang was a reincarnation of Jijang-bosal (The Bodhisattva of the Afterlife).

In 2001, Daewonsa Temple built a shrine hall called the Kim Jijang-jeon Hall to honour this Silla monk. They also enshrined three images of Kim Jijang inside this shrine hall on the main altar. In addition, they painted fourteen murals depicting the life of Kim Jijang around the exterior walls to this temple shrine hall.

The fourteenth, and final, mural adorning the exterior walls of the Kim Jijang-jeon Hall at Daewonsa Temple.

Temple Layout

You’ll first make your way up the beautiful and scenic six kilometre long stretch of road that leads up towards Daewonsa Temple. When you do finally arrive at the temple parking lot, you’ll notice the Daewonsa Tibetan Museum. This museum, which seems a bit out of place, opened in 1987. Admission to the museum is 3,000 won for adults and 2,000 won for children. The two-story museum is filled with beautiful Tibetan statues and paintings. And out in front of the Tibetan Museum is a fifteen metre tall white pagoda that was first constructed in March, 2002. Housed inside this pagoda, inside the base, is a triad of Tibetan statues centred by Yaksayeorae-bul (The Medicine Buddha, and the Buddha of the Eastern Paradise). This statue is backed by a blue central image of Yaksayeorae-bul and surrounded by seven additional images of Buddhas and Bodhisattvas. And painted on the top of the ceiling of this chamber is a Tibetan mandala.

To the right of the Tibetan Museum and pagoda, and across the temple parking lot, you’ll find Daewonsa Temple’s colourful Iljumun Gate. After passing through the Iljumun Gate, and to your right, you’ll find a circular gate that reads “우리는 한꽃” on it. In English, this means “We Are All Flowers” in English. Through this gate, you’ll find a mountain stream and a clearing with beautiful, mature trees.

Passing back through this circular gate, and now standing next to the Iljumun Gate, you’ll make your way up towards a three-in-one entry gate. On the first floor of the two-story structure, you’ll find wooden reliefs dedicated to the Four Heavenly Kings. And joining these reliefs is the temple’s administration office. The second story of the structure acts as the Boje-ru Pavilion. Rather interestingly, and adding to the overall peculiar feel of the temple, is the temple’s Mokeo, or “Wooden Fish Drum” in English, hanging from the ceiling of the structure, as well as a pair of monk’s shoes.

Beyond this three-in-one entry gate is a statue dedicated to Podae-hwasang (The Hempen Bag) to your right, as well as a historic stone Buddha shrine reminiscent of the one found at the neighbouring Unjusa Temple. These hard to find historic shrines have a rectangular shape. And inside the shrine, inside the adjoining chambers, you’ll find a pair of stone Buddha statues seated back to back.

To the left of this outdoor stone Buddha shrine, and before walking over the diminutive stone bridge to gain entry to the main temple courtyard at Daewonsa Temple, are two rows of stone monk statues with red knitted caps on their heads. These are meant to be a sign for prayers for children that have died.

Across the small stone bridge and through another circular entry gate, you’ll now enter the main temple courtyard. To your immediate right, you’ll find the temple’s Jong-ru (Bell Pavilion) with a large golden bell inside it.

Straight ahead of you is the temple’s main hall, which is the Geukrak-jeon Hall at Daewonsa Temple. It’s unclear when the Geukrak-jeon Hall was first built, but it dates back to at least the reign of King Sukjong of Joseon (r. 1674-1720), when the famed murals painted inside the Geukrak-jeon Hall were painted. These murals, which are officially known as Mural Paintings in Geungnakjeon Hall of Daewonsa Temple, Boseong (Avalokitesvara Bodhisattva and Buddhist Monk Bodhidharma), and are Korean Treasure #1861. These murals are placed high on either side of the east and west walls of the Geukrak-jeon Hall. The western wall has the image of Gwanseeum-bosal (The Bodhisattva of Compassion), or Avalokitesvara in Sanskrit. This image of Gwanseeum-bosal is dressed in a white robe and seated on a lotus flower floating on the waves. In the background of this mural, you’ll find rocks and bamboo with a dongja (attendant) behind Gwanseeum-bosal with a blue bird in his arms. And on the eastern wall, you’ll find the mural dedicated to the Bodhidharma. In this mural, the Bodhidharma is joined by the armless Huike (487-593 A.D.). Both of these murals are wonderful examples of Buddhist artistry in the late Joseon Dynasty. And the painting style is that of Uigyeom, who was an active painter in the region in the mid to late 18th century.

There are other various murals that adorn the interior of the Geukrak-jeon Hall that are similar in age to the two aforementioned murals. Resting on the main altar is a triad centred by Amita-bul (The Buddha of the Western Paradise). This central image is joined on either side by Gwanseeum-bosal and Daesaeji-bosal (The Bodhisattva of Wisdom and Power for Amita-bul). And just below the historic mural dedicated to Gwanseeum-bosal, you’ll find a rather long, red Shinjung Taenghwa (Guardian Mural). And to the right of the main altar, and below the large, historic mural dedicated to the Bodhidharma, you’ll find a mural dedicated to Chilseong (The Seven Stars).

To the right of the Geukrak-jeon Hall, you’ll find the temple’s Myeongbu-jeon Hall, which usually houses the Korean Treasure Buddhist Paintings of Daewonsa Temple, Boseong (Ksitigarbha Bodhisattva and Ten Underworld Kings). However, since the Myeongbu-jeon Hall is currently under renovation, I’m not sure where this painting is currently. And out in front of the Myeongbu-jeon Hall is a large shrine dedicated to Jijang-bosal (The Bodhisattva of the Afterlife). In one hand, the large, central image of Jijang-bosal holds a golden staff in his right hand and a baby in his left. All of the other surrounding stone statues wear red caps on their heads much like at the entry of the temple grounds.

To the left of the Geukrak-jeon Hall, you’ll find a shrine hall and stupa dedicated to Jajin Wono-guksa. This stupa is Jeollanam-do District Tangible Asset #35. The foundation of the stupa has a lotus design on it, and the body of the stupa has Bodhisattvas and the Four Heavenly Kings adorning it, as well as hanja characters that say “The stupa in memory of the purity of Jajin Wono-guksa” written on the front side. And on the back side of the stupa, you’ll find the hanja characters for “Om, Ah, Hum,” which is from the Mahavairocana Tantra written on it. This stupa is the oldest artifact at Daewonsa Temple. And inside the adjoining hall is a memorial shrine hall dedicated to Ado, who was the founder of the temple. And housed inside the Ado-yeong-gak Hall is a painting of the historic monk.

Up the mountainside, and a bit hidden to the right at the lantern, you’ll find the temple’s Sanshin-gak Hall. Housed inside this secluded shaman shrine hall is the rather distinctive image of a female Sanshin (The Mountain Spirit). There are both a statue and wooden relief dedicated to this shaman deity housed inside the Sanshin-gak Hall.

Back at the main temple courtyard, and to the right of the outdoor shrine dedicated to Jijang-bosal, you’ll find a pair of shrine halls. The first to the right is the Cheonbul-jeon Hall. You’ll have to duck down when entering the Cheonbul-jeon Hall because the entry door is purposely low so you have to bow down when entering this temple shrine hall. Housed inside the Cheonbul-jeon Hall, other than the one thousand white statues of the Buddha that gives the shrine hall its name, is a larger white statue of Seokgamoni-bul (The Historical Buddha) on the main altar. To the left lays the statue of a Reclining Buddha.

And to the left of the Cheonbul-jeon Hall is the Kim Jijang-jeon Hall, which is directly related to the legend associated with Daewonsa Temple. Surrounding the exterior walls to the Kim Jijang-jeon Hall are fourteen images reenacting the adventures of Kim Jijang. Stepping inside this temple shrine hall, you’ll find a triad of crowned Jijang-bosal images on the main altar. And to the left of this main altar, you’ll find another golden image of Jijang-bosal; but this time, Jijang-bosal is atop a golden haetae. And on the far right wall is a large mural dedicated to Jijang-bosal.

How To Get There

From the Boseong Bus Terminal, you’ll need to board one of three buses to get to Daewonsa Temple. Your choices are Mundeok – 문덕 #80-1, Mundeok – 문덕 #80-3, or Mundeok – 문덕 #80-6. Now this is the rub, you’ll need to take any of these buses for an hour and a half from the Boseong Bus Terminal, which is fifty-one stops. After fifty-one stops, or an hour and a half, you’ll need to get off at the “Juksan – 죽산” bus stop, which is also called “Daewonsa Sumi Gwangmyeong-tap – 대원사 수미 광명탑.” From this stop, you’ll need to walk about ten minutes, or 700 metres, to get to Daewonsa Temple.

Overall Rating: 7.5/10

Daewonsa Temple in Boseong, Jeollanam-do is a rather peculiar temple with a peculiar feel to it. Starting with the temple’s legend, continuing onto the monk shoes at the Cheonwangmun/Boje-ru, and on towards the Kim Jijang-jeon Hall and the rows of red capped statues, Daewonsa Temple definitely is original. There are other unique features like the Tibetan Museum at the entry and the “우리는 한꽃” near the Iljumun Gate, as well. But it also has some startlingly original features like the historic, large murals housed inside the Geukrak-jeon Hall, the stupa dedicated to Jajin Wono-guksa, and the outdoor stone shrine with the twin Buddhas inside it. There’s definitely a lot of things to see and explore at the out of the way Daewonsa Temple in Boseong, that’s for sure!

The Tibetan Museum at the entry of Daewonsa Temple.
A look inside the Tibetan pagoda with Yaksayeorae-bul (The Medicine Buddha) inside.
A look through the Iljumun Gate.
The neighbouring circular “우리는 한꽃” gate.
The three-in-one entry gate at Daewonsa Temple.
The outdoor stone Buddha shrine with two stone Buddhas inside it.
The stone bridge that spans the small pond at the entry to the main temple courtyard.
The Geukrak-jeon Hall.
The Korean Treasure Mural Paintings in Geungnakjeon Hall of Daewonsa Temple, Boseong (Avalokitesvara Bodhisattva and Buddhist Monk Bodhidharma). This is the mural dedicated to Gwanseeum-bosal, or Avalokitesvara in Sanskrit, inside the Geukrak-jeon Hall.
The stupa dedicated to Jajin Wono-guksa with the Ado-yeong-gak Hall behind it.
The Sanshin-gak Hall on the neighbouring mountainside.
Housed inside it is this beautiful statue and wood relief dedicated to a female Sanshin (Mountain Spirit).
A look inside the Cheonbul-jeon Hall.
The highly original Kim Jijang-jeon Hall.
A look inside the Kim Jijang-jeon Hall.

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Mireuksa-ji Temple Site – 미륵사지 (Iksan, Jeollabuk-do)

The Stone Pagoda at Mireuksa-ji Temple Site in Iksan, Jeollabuk-do.

Temple Site Legend

The site for Mireuksa Temple, like so many other famed temples on the Korean peninsula, has an entry about it in the Samguk Yusa (Memorabilia of the Three Kingdoms). According to the Samguk Yusa, King Mu of Baekje (r. 600 – 641 A.D.) and his queen were on their way to Sajasa Temple when they saw a triad of Mireuk-bul (The Future Buddha) appearing above a pond near Mt. Yonghwasan (Dragon Flower Mountain). Later, at the request of the queen, King Mu of Baekje had the pond filled in with land, and a temple was built on the site where the royal couple saw the Mireuk-bul triad.

Here is the exact passage from the Samguk Yusa detailing the founding of Mireuksa Temple:

“One day as the new King [Mu] and Queen were returning from a visit to Sajasa Temple, followed by a long train of servants, three images of Maitreya [Mireuk-bul] rose above the surface of a pond. They immediately halted their procession and worshiped the mysterious images, and the Queen said, ‘My husband, I wish to have a beautiful temple built on this pond, where these three Maitreya [Mireuk-bul] arose to meet us.’

“‘Very well, it shall be done,’ the King replied. He again sought the help of the monk Jimyeong, asking him to fill in the pond and prepare it for a building.

“Obedient to the royal command, the old monk performed the task in one night by moving a distant mountain and dropping it upside down into the pond. Soon a magnificent temple called Mireuksa Temple had been erected. In the main hall stood the three Maitreya [Mireuk-bul] images and in the courtyard was a pagoda built with the assistance of hundreds of architects and sculptors sent by King Jinpyeong of Silla (r. 579 – 632). This great edifice, weather-beaten and moss-covered, is still standing.”

A model of Mireuksa Temple found inside the Iksan National Museum (Picture Courtesy of the Korea Tourism Organization).

Temple Site History

Mireuksa-ji Temple Site is located in Iksan, Jeollabuk-do. It was first constructed in 602 A.D. by King Mu of Baekje (r. 600-641 A.D.). The temple site is situated to the south of Mt. Mireuksan (429.6 m), which was formerly known as Mt. Yonghwasan. Originally, the temple was built after a pond was filled over at the request King Mu’s wife, the Queen. Records indicate that Mireuksa Temple was a Baekje Kingdom (18 B.C. – 660 A.D.) national temple that was built to help strengthen the nation’s power.

Mireuksa Temple was designed with three parallel courtyards that each had a pagoda and a temple shrine hall. So in total, Mireuksa Temple would have had a total of three temple shrine halls and three pagodas. The construction of the temple started in the latter half of the Baekje Kingdom, which is also known as the Sabi Period (538-660 A.D.), and Mireuksa Temple would continue to be expanded during Later Silla (668-935 A.D.), through the Goryeo Dynasty (918-1392), and up until the Joseon Dynasty (1392-1910), when the temple was finally destroyed during the Imjin War (1592-1598) by the invading Japanese in 1592. It would remain in disrepair until the early part of the 20th century.

More traditionally, and according to the “Architectural History of Ancient China,” the Eastern Jin Dynasty (317-420 A.D.) of China constructed the one pagoda and one temple shrine hall configuration. This would then be joined by the monks’ living quarters. It’s presumed that this style of temple configuration of a shrine hall-pagoda layout was first introduced to the Baekje Kingdom by the Indian monk, Marananta – 마라난타. According to the Samguk Yusa, Marananta was from the Gandara region of northern India. He crossed into Baekje in September, 384 A.D. through Eastern Jin, China. In 385 A.D., a temple was built in the town of Hansan in Baekje, and ten monks joined this temple. As a result of Marananta’s influence, the arrangement of Baekje Buddhist temples was that of a single pagoda and shrine hall. This would change later on during the Sabi Period of the Baekje Kingdom, but it would help influence the initial construction and layout of Mireuksa Temple.

A diagram of the three stages of Mireuksa Temple’s construction (Picture courtesy of the
Journal of Asian Architecture and Building Engineering).

During the first stage of Mireuksa Temple’s construction, only the middle courtyard was built with a single Geum-dang Hall (Golden Hall), a wooden pagoda, and corridors surrounding these structures. Stamped roof tiles found during the excavation of the Mireuksa-ji Temple Site, starting in 1974, indicated that the roof tiles had first been made in 597 A.D. according to the zodiac animal stamped on the tiles.

During the second stage of the temple’s construction, the lecture hall to the north of the middle courtyard’s Geum-dang Hall was constructed beyond the north corridor. Also, the east, west, and north monks’ living quarters were constructed. Again, this is according to the stamped tiles found during the extensive excavation of the Mireuksa-ji Temple Site. Because most of the stamped roof tiles were divided into three time categories: 605 A.D., 627 A.D., and 629 A.D., it’s estimated that the northern lecture hall and three buildings for the monks’ living quarters were completed between 600 – 629 A.D. The number of monks’ living quarters were expanded at this time as the number of monks living at Mireuksa Temple increased, as well. Additionally, that’s why the northern lecture hall was built, as well. With the increase in the monk population at Mireuksa Temple, it would help educate these Buddhist monks in a central location.

A diagram of the four different stamped roof tiles discovered on the Mireuksa-ji Temple Site grounds (Picture courtesy of the
Journal of Asian Architecture and Building Engineering).

The third stage of the temple’s construction happened in two phases. The first phase saw the addition of the pair of stone pagodas and shrine halls built in both the adjoining east and west courtyards at Mireuksa Temple. These structures were constructed with symmetry in mind. In 2009, a golden sarira bowl and sarira enrichment record were discovered inside the Stone Pagoda at Mireuksa-ji Temple Site, which is found in the west courtyard. This discovery revealed that this pagoda had first been built in 639 A.D. With this information, it was revealed when both the east and west courtyards were completed.

As for the statues that resided in each of the three temple shrine halls, there is some debate. However, there is strong support for an image of Seokgamoni-bul (The Historical Buddha) being housed inside the west Geum-dang Hall, while three images of Mireuk-bul (The Future Buddha) were housed inside the central courtyard’s Geumg-dang Hall. And an image of Yeondeung-bul (The Past Buddha) appeared in the east courtyard’s Geum-dang Hall.

With this in mind, it would appear as though Mireuksa Temple was meant to symbolize the Trikaya (Three Bodies). Another interpretation of the temple’s configuration is that it was arranged according to the Baekje Kingdom’s strong faith in Mireuk-bul’s advent. During Mireuk-bul’s descent onto earth, it was believed that Mireuk-bul would usher in a utopian era for his devotees. This legendary place is known as Ketumati. In this utopian era, all people would be saved through the three Buddhist teachings. And Mireuksa Temple was believed to be a perfect embodiment of this belief.

In total, the Mireuksa-ji Temple Site is home to one National Treasure, two Korean Treasures, and the site itself is classified as a Historic Site.

Temple Site Excavation

The first makeshift attempt to restore the temple grounds came in 1915, during Japanese Colonial Rule (1910-1945), when concrete was added to the side of the Stone Pagoda at Mireuksa-ji Temple Site to stabilize its deteriorating condition. The site would remain untouched until 1974, when the National Research Institute of Cultural Heritage of Korea conducted their initial canvasing of the grounds. Then in 1980, the excavation took place and would lead to numerous unknown architectural and archaeological discoveries.

In 1998, the National Research Institute of Cultural Heritage performed a safety inspection of the Stone Pagoda at Mireuksa-ji Temple Site in the west courtyard, there were concerns at this time about the stability of the pagoda. In 1999, the National Research Institute of Cultural Heritage decided that the pagoda was in need of serious repair. And the restoration of the pagoda began in 2001. In total, ten years would be spent on carefully dismantling this pagoda.

During this process of dismantling the Stone Pagoda at Mireuksa-ji Temple Site, quite a few things were discovered. First, an engraved gold sheet was discovered inside the Stone Pagoda at Mireuksa-ji Temple Site in 2009. This gold sheet is called a “Saribongangi – 사리봉안기.” The gold plate is 15.5 cm in width and 10.5 cm in height, and the inscription written on it was written in red paint. On the inscription, it details the founding of Mireuksa Temple.

To rebuild this pagoda, there are 1,627 stone blocks used in its composition. Added to the original stone blocks were new, locally sourced granite blocks that now make up thirty-five percent of the Stone Pagoda at Mireuksa-ji Temple Site. In total, the Stone Pagoda at Mireuksa-ji Temple Site weighs 1,830 tons; it stands 14.5 metres in height, and it’s 12.5 metres in width. According to reports, about 185 tons of concrete was removed from the pagoda. Currently, the pagoda has six stories, but historians believe it was once nine stories tall. However, during the 16th century, during the Joseon Dynasty, which favoured Confucianism over Buddhism, the top three stories were destroyed.

It was also discovered during the extensive excavation that a waterway flowed down from Mt. Mireuksan and into artificial waterways on the four sides of the temple. The remaining traces of the grounds original large pond were found to the south of the temple grounds, and they can be explored currently in the east and west ponds.

On the north side of the Lecture Hall Site at Mireuksa-ji Temple Site, there were two bridges that spanned the artificial waterway. Currently, all that remains of these bridges are foundation stones that go from the Lecture Hall Site at Mireuksa-ji Temple Site towards the North Monks’ Living Quarters Site. Additionally, and because of the watery nature of the temple’s grounds, each shrine hall had a special structure that helped ward off humidity. The way that this was done is that the foundation stones were laid on the ground. And one metre thick cornerstones were laid in a diamond shape above them. The wood supports were then placed on top of the cornerstones and left empty to create a void between the ground and the temple shrine hall floors.

The west pond on the southern part of the temple site grounds.
A look towards the Nine-Story Stone Pagoda in the East Worship Area from the east pond on the southern part of the temple site grounds.
One of the Flagpole Supports at Mireuksa Temple Site with the Nine-Story Stone Pagoda in the East Worship Area in the background.

Temple Site Layout

South Section

You first approach the temple site from the south. Up a wide pathway, you’ll first approach the twin ponds at the south end of the temple site grounds. These are remnants of the large pond that once occupied the entire grounds where Mireuksa Temple was built. Now, there are beautiful mature trees that line the edges of the east and west ponds.

It’s through these trees, and past the ponds, that you’ll come to a wide clearing where the twin Flagpole Supports at Mireuksa Temple Site are located. The pair are Korean Treasure #236. In Korean, they are known as “dangganjiju.” They stand 4.5 metres in height, and they are built from stone. They were used to attach flags from to mark the temple grounds and/or to celebrate special events by hanging a large banner. The two flagpoles are separated by some ninety metres in distance, and they date back to the start of Later Silla (668-935 A.D.).

The Stone Pagoda at Mireuksa Temple Site, which is National Treasure #11.
A closer look at the amazing pagoda.
The Buddhist Hall Site in the Western Section, which is currently undergoing archaeological work.

West Courtyard

Beyond the western flagpole support, and probably the most prominent feature and historical artifact at Mireuksa-ji Temple Site, you’ll find the west stone pagoda, which is officially known as the Stone Pagoda at Mireuksa Temple Site. The Stone Pagoda at Mireuksa Temple Site is National Treasure #11. This pagoda is the oldest and largest stone pagoda still in existence in Korea, and it provides great insight into the transition from wood to stone pagodas in Korea. Originally constructed in 639 A.D., and formerly standing nine-stories, it currently stands at six-stories. The square-shaped pagoda consists of a low single-story platform similar to a wooden pagoda. Each side of the first stone supports of the body is divided into three spaces. And the middle section has an opening in it, so that the pagoda could be entered from all four directions. In the centre of the pagoda is a massive square pillar. The roofstones to each of the stories are thin and wide, and they rise up at each of the four corners. And from the second story of the body, the body begins to narrow. The engineers have done a wonderful job in repairing the Stone Pagoda at Mireuksa Temple Site, and it was re-opened to the public in December, 2018.

To the rear of the Stone Pagoda at Mireuksa Temple Site is the Buddhist Hall Site in the Western Section. Currently, there is archaeological work being done on at this site. However, if you look close enough, you can see that most of the foundational stones are missing. This was once one of the three Geum-dang Hall (Golden Halls) at Mireuksa Temple. All that now remains of this former temple shrine hall is a two-tiered foundation. When it once stood, there were five bays along the front of the shrine hall, three of which were slightly larger than the others. And along the sides, there were four additional bays. Each of the cornerstones that supported the pillars of the building were placed on large square foundation stones. The construction of this shrine hall is similar to the Geum-dang Hall at Gameunsa-ji Temple Site in Gyeongju.

And to the rear of the Buddhist Hall Site in the Western Section would have been the West Monks’ Living Quarters. Now all that remains is an elevated foundation and some of the stone supports. This structure would have been directed in a perpendicular orientation towards the Geum-dang Hall in the west courtyard. It measured sixty-five metres long and fourteen metres wide. The living quarters would have consisted of eight square rooms measuring six metres wide. And around the rooms were hallways that allowed access from both inside and outside the temple complex.

The foundation for the Wooden Pagoda Site at Mireuksa-ji Temple Site.
The foundation for the Geum-dang Hall in the middle courtyard.
Another angle of the Geum-dang Hall in the middle courtyard.

Middle Courtyard

To the right of the western courtyard, and the historic Stone Pagoda at Mireuksa Temple Site, is what was once the middle courtyard. At the front of the middle courtyard stood an imposing nine-story wooden pagoda that was built at the start of the 7th century. The wooden pagoda stood on a two-tier base made of stone. The base was square in shape and measured an impressive 18.5 metres squared. There were stairs leading up to the wooden pagoda on each of its four sides. Burnt roof tiles were discovered during the excavation of the site, suggesting that the wooden pagoda was destroyed some time during the latter part of Later Silla (668-935 A.D.).

Backing the Wooden Pagoda Site is the middle courtyard’s Geum-dang Hall. Like its western courtyard counterpart, the middle courtyard’s Geum-dang Hall only has a small portion of the two-tier foundation, as well as stairs to the back and front of the foundation. Unfortunately, no base pillars were discovered; however, they are presumed to be of the same size and shape of the Geum-dang Hall’s in the western and eastern courtyards. And out in front of the middle courtyard’s Geum-dang Hall, you’ll find the Base Stones of the Stone Lanterns at Mireuksa-ji Site. They are believed to date back to the founding of the temple, and the base has an eight petal lotus design on it. They are classified as Jeollabuk-do Cultural Heritage Material #143.

The Lecture Hall Site at Mireuksa-ji Temple Site with the North Monks’ Living Quarters Site behind it.
The view from the North Monks’ Living Quarters Site across the bridge supports that spanned the waterway on your way towards the Lecture Hall Site at Mireuksa-ji Temple Site.

To the rear of the middle courtyard’s Geum-dang Hall, you’ll find the Lecture Hall Site at Mireuksa-ji Temple Site. The stone platform for this lecture hall is 65.6 metres wide and 19.8 metres deep. There were corridors that formerly connected this large lecture hall to the east, west, and north monks’ living quarters. Out of all the structures at Mireuksa-ji Temple Site, this is one of the better ones to have remained intact.

And to the north of the Lecture Hall Site at Mireuksa-ji Temple Site was the North Monks’ Living Quarters Site. The foundation to this site measures 133.4 metres wide and 14 metres deep. It’s the largest single structure foundation at the Mireuksa-ji Temple Site. And access to the neighbouring lecture hall would have been gained across a bridge that would span the water that flowed through the waterways from Mt. Mireuksan. The eight foundation stones, four on each side, for this bridge are placed to the north of the Lecture Hall Site at Mireuksa-ji Temple Site and south of the North Monks’ Living Quarters Site. As for the North Monks’ Living Quarters Site, they consisted of sixteen square rooms that were six metres wide. Like the West Monks’ Living Quarters, hallways around the rooms allowed access to inside and outside the temple complex. Interesting, and of note, there was a extension discovered to the west of the North Monks’ Living Quarters Site. It’s presumed to have been a tool-making workshop or storage facility.

The Nine-Story Stone Pagoda in the East Worship Area in the foreground with the Stone Pagoda at Mireuksa Temple Site in the background.
A look up at the Nine-Story Stone Pagoda in the East Worship Area. If you look close enough, you can see some of the thirty-two original stone pieces from the historic east pagoda.
A look towards the Stone Pagoda at Mireuksa Temple Site from inside the newly constructed Nine-Story Stone Pagoda in the East Worship Area.

East Courtyard

To the east of the middle courtyard, and the other more obvious structures you’ll find at Mireuksa-ji Temple Site, is the reconstructed Nine-Story Stone Pagoda in the East Worship Area. This stone pagoda in the east courtyard was built between 1991 – 1992, and it was completed in 1993. Remnants of the old eastern stone pagoda were incorporated to help rebuild the present Nine-Story Stone Pagoda in the East Worship Area. In 1974, it was confirmed during the initial excavation of the temple site that where the current Nine-Story Stone Pagoda in the East Worship Area now stands was its former location. In total, this pagoda weighs an impressive 2,700 tons, and some thirty-two stone remains were used in the present pagoda’s construction. The bronze wind chimes that hang from each of the corners of the nine-stories of the stone pagoda are replicas of what once hung from the original stone pagoda. And unlike the Stone Pagoda at Mireuksa Temple Site in the west courtyard, you can in fact enter this stone pagoda and pass through its foundation.

Like the middle and west courtyards, there is a Geum-dang Hall foundation to the rear of the Nine-Story Stone Pagoda in the East Worship Area. Of the three Geum-dang Halls, it’s the Buddhist Hall Site in the Eastern Section that is the best preserved. It has a large number of platform stones. This allowed archaeologist to better understand how the two other Geum-dang Halls at Mireuksa-ji Temple Site were constructed. The shrine hall stood on a two-tier platform featuring stairs at the front and back. Pillar based stones were also found at the site, and they measured one metre in height. The top to each of these stones featured an additional hole where a stone or wooden piece could be attached for support. This one metre gap would allow for an empty space between the floor of the shrine hall and the ground and reduce coldness during winter months or humidity during summer months.

And to the rear of the east courtyard’s Geum-dang Hall is the East Monks’ Living Quarters Site. This site is similar to the one found in the west courtyard, even its orientation towards the Geum-dang Hall is perpendicular and the amount of rooms inside is the same, as well. What differentiates it a bit were the remains of an underfloor heating system. Excavated items from this site included shards of pottery which included the inscription “Mireuksa Temple, Year 858” on it, as well as rice bowls from Tang China.

Some of the stone artifacts from the east Geum-dang Hall.

Other

Rounding out the temple site grounds is an addition from the Joseon Dynasty (1392-1910) north of the North Monks’ Living Quarters Site. And to the west of the west courtyard, you’ll find a collection of some sixty stone relics ranging from the Baekje Kingdom up until the Joseon Dynasty.

Finally, and something that shouldn’t be overlooked during your visit to Mireuksa-ji Temple Site is the Iksan National Museum, which has a large permanent collection dedicated to the Mireuksa-ji Temple Site and Baekje Culture. And best of all, it’s located on the south-western part of the temple site grounds. It’s free, and it’s closed on Mondays. It’s open from 10:00-17:30. As for the temple site itself, it’s open twenty-four hours a day.

How To Get There

From the Iksan Bus Terminal, you can take Bus #41, #60, #60-1, or #60-3 to get to Mireuksa-ji Temple Site. And you’ll need to get off at the “Mireuksa-ji – 미륵사지” bus stop. If you use Bus #60, #60-1, or #60-3, the bus ride will take an hour and five minutes. However, if you take Bus #41, it should take around fifty-five minutes.

Overall Rating: 8/10

A temple site is always difficult to rate. If Mireuksa Temple still stood, it would probably rate a 11 out of 10; however, history got in the way, and almost all that once stood on the temple grounds was destroyed. Except for the Stone Pagoda at Mireuksa Temple Site, the recently rebuilt Nine-Story Stone Pagoda in the East Worship Area, Flagpole Supports at Mireuksa Temple Site, and a smattering of foundation stones, nothing remains of this once mighty Baekje temple. With all that in mind, the expansive grounds still possesses priceless treasures and a magic aura about it. I was completely awed by the temple site grounds; and perhaps I’m easily impressed, but I decided to give the Mireuksa-ji Temple Site a rather high rating.

(이)라도 "Even," "At least," "Or something" | Live Class Abridged

This Sunday I finally was able to upgrade the camera I use for my live streams, which means better video quality!

(이)라도 is a Beginner level form that actually has two separate uses. Both are covered in this video. In addition, we also learned about a few ways to use (이)라도 that are Intermediate level, and explained (이)라도 vs (이)나 - since both can at times translate similarly.

The post (이)라도 "Even," "At least," "Or something" | Live Class Abridged appeared first on Learn Korean with GO! Billy Korean.

Pepero Day – A Celebration for the Popular Korean Snack

Have you ever heard of Pepero Day? You may have encountered this snack, but there’s actually a day to celebrate this in Korea. This day also happens to be the biggest shopping day globally because of Singles’ Day, which China popularized.

While the rest of the world is celebrating single people and shopping, Koreans likes to celebrate Pepero Day (빼빼로 데이 in Korean) on November 11th.

Pepero Day

What is Pepero Day?

Pepero Day in Korea is an annual tradition that can be likened to Valentine’s Day, as it is usually celebrated among couples, and food or chocolatey treats are exchanged. On this day, however, the treat exchanged is specifically the snack Pepero. Although Valentine’s Day is also celebrated in South Korea, Pepero and Pepero Day is an equally beloved holiday to enjoy.

When is Pepero Day?

Pepero Day is annually celebrated on November 11th. This isn’t just a random date, as November 11 was chosen specifically because 11/11 looks like Pepero sticks! Along with that is the idea that to become tall and slender like a Pepero stick, 11 packets of Pepero must be eaten on November 11, at 11:11 am and 11:11 pm in exactly 11 seconds. There’s nothing to lose if you’ll give it a try!

What is Pocky Day?

There is also an incredibly similar holiday in Japan and celebrated on November 11th, called Pocky Day. This is also often called Pocky and Pretz Day, with Pretz being the savory counterpart of Pocky. On this day, sales for Pocky would surge as there are plenty of Pocky-related activities and marketing strategies put in place. Japanese people would also give Pocky to their loved ones as a gift to show their appreciation.

To sum it up, November 11 is a day of many celebrations! There’s the national Pocky Day in Japan, the Pepero Day in Korea, and Singles Day in China.

Is Pepero Day Single Day?

Pepero Day is a holiday that everyone can celebrate in South Korea, regardless of one’s relationship status. Coincidentally, this holiday is celebrated on the same day as Singles’ Day in China. However, these are not the same holidays and are also celebrated differently. Singles’ Day or 11/11 Day in China is a day dedicated to shopping for people not in a relationship or singles.

What exactly is Pepero?

Peperos are tall and thin biscuit-like sticks covered in chocolate. Lotte Confectionery Corporation manufactured this product in South Korea. Besides the original milk chocolate flavor, many other flavors have also emerged for these biscuit sticks, and each new year another one seems to pop up. Some popular Pepero flavors are the following: almond, green tea, cookies & cream, and dark chocolate. Even flavors like cheddar cheese exist for Pepero now!

Not all pepero sticks are coated with chocolate or some other flavor. Some peperos have chocolate filling instead of a coating, some have two different coating flavors, and other peperos are “super-sized.” Shortly put, there is a pepero to love for everyone in the world!

Pepero vs Pocky

As described above, Peperos are famous snacks in South Korea which are chocolate-covered, thin cookie sticks. If you already have a picture in mind, it won’t be difficult to imagine what a Pocky looks like. You can definitely notice the resemblance between Pepero and Pocky as they are identical cookie stick treats. However, one brand is made in South Korea and the other in Japan.

Pocky rose to fame in Japan in 1966 as a “snack with a handle” produced by the company Ezaki Glico. It can be considered as Pepero’s foreign relative from Japan. Pocky was invented before Pepero, so one could raise whether Pepero is a copy of Pocky. Similarly, Pepero Day was first to become a commercial holiday to celebrate, and Pocky Day became a holiday on the same day in Japan a little later.

What is the history of Pepero Day in South Korea?

It is actually not entirely known how the celebration for Pepero Day in Korea started. One theory is that Pepero Day in Korea is celebrated on November 11th because of the appearance of a Pepero stick, looking like the number 1. Another is that it was popularized by two Korean middle school girls who exchanged Pepero sticks with each other. They did so in hopes of becoming tall and thin, just like how the Pepero snacks look like.

The latter story is how Lotte Corporation, the manufacturer of Pepero in South Korea, began advertising Pepero Day in 1997. And successfully so, as from 2012 onward they make 50% of their whole year’s pepero sales on Pepero Day! If you want to follow the possible origin story and celebrate Pepero Day yourself, then you ought to eat 11 boxes of pepero on that day!

How is Pepero Day in Korea celebrated?

In observance of Pepero Day in South Korea, people celebrate it by giving boxes of Pepero as gifts every November 11th. They are typically exchanged between couples, but people can generally give them to people they love, like their friends, co-workers, or family members, as a symbol of their affection. The price won’t be a concern since it’s such a cheap snack that the barrier to purchasing a box or two for someone is low, even outside of the circle of loved ones.

Pepero Day ideas for a gift

Apart from exchanging the Pepero snacks, there are other ways of giving gifts for Pepero Day, which is especially common among couples. Instead of buying a regular box of Pepero for each other, many will purchase other things like special gift baskets on sale during the Pepero Day holiday.

Pepero-inspired items

If you want to set yourself apart, you can give something apart from the actual Pepero snack. Some people are also extra creative and even prepare the Peperos by hand! You can also find Pepero cushions to give as gifts, among other varieties of gifts that are appropriate to give on Pepero Day. If you are in South Korea, you may even expect to receive coupons you can use to purchase boxes of Pepero from your friends on Kakaotalk.

Money Pepero

But what if your loved one doesn’t like sweets? The perfect solution for that is the 돈 빼빼로 (donppaeppaero)! This is a popular gift idea that was inspired by the Pepero snack. You need to roll up some paper bills to make it look like Pepero sticks. Then put these rolled-up bills in a rectangular box similar to that of a Pepero’s. The finished product would then be the “Money Pepero.”

A Pepero for yourself

While it’s fun to have someone to exchange or give gifts to, it’s also nice to give one to yourself! Treat yourself to tons of delicious Pepero, in various flavors, from nude pepero to double-coated ones. Or, if you want, perhaps find a Korean to treat to Pepero on November 11th to have a feel of one of Korea’s traditions! It doesn’t have to be a Valentine’s Day-like exchange, just a show of friendship or appreciation.

How do you say Happy Pepero Day?

If you want to greet someone “Happy Pepero Day,” you can say it as 빼빼로데이 축하해요! (ppaeppaerodei chukahaeyo!) in Korean. Pepero Day is a celebration; thus, it’s just right to greet one another on this special day. You can also write this down on a note that comes with your Pepero gift. You can master how to write this correctly in Hangeul by learning the Korean alphabet.

What is the Pepero Game?

Another fun way to enjoy your Pepero is through the Pepero game. This game is played in pairs where each pair need to eat a Pepero together, biting it off from each end. The pair with the shortest piece left wins. If you’re having a hard time imagining how it is played, think of the scene with the spaghetti in the movie Lady and the Tramp. This game is also often played in Korean variety shows.

Now that you know all about this delicious cookie stick snack in South Korea and also about how to celebrate Pepero Day on November 11th, you’re all prepared for when the day arrives! Are you excited to experience your first Pepero Day from reading this article? Which pepero flavor do you intend to try first once you’re in South Korea? You may also want to know about the other unique holidays in South Korea like White Day and Black Day next!

The post Pepero Day – A Celebration for the Popular Korean Snack appeared first on 90 Day Korean®.

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Dongguksa Temple – 동국사 (Gunsan, Jeollabuk-do)

The Japanese-style Daeung-jeon Hall at Dongguksa Temple in Gunsan, Jeollabuk-do.

Temple History

Dongguksa Temple is located in Gunsan, Jeollabuk-do. What sets this Buddhist temple apart from all other Buddhist temples in Korea is that it’s the only temple still in existence, and operating, that was built by the Japanese during Japanese Colonial rule (1910-1945).

With the opening of the port in Busan in 1877, after the signing of the Japan–Korea Treaty of 1876, not only did it open Korea up for trade and exploitation, but it also allowed Japanese Buddhism to enter Korea, as well. This was done at the request of the Japanese government. And in 1904, a form of Japanese Pure Land Buddhism began missionary work in Gunsan. The reason for these efforts to introduce Japanese Buddhism into Korea through missionary work was to help culturally assimilate, on a much broader scale, Koreans into Japanese culture, language, and history.

Later, on June 3rd, 1911, General Count Terauchi Masatake (1910-1916), who was the Governor-General of Chosen, issued a declaration for the furtherment of Japanese Buddhism on the Korean peninsula. This then led to the establishment of Buddhist temples throughout the Korean peninsula. This would result in the missionary establishment of Dongguksa Temple in 1909 in Gunsan, Jeollabuk-do. When Dongguksa Temple was first built, it was known as Geumgangsa Temple, or “Diamond Temple” in English, and it was based upon Shingon Buddhism. Dongguksa Temple, formerly Geumgangsa Temple, added to the establishment of other Japanese Buddhist temples in Gunsan including Bonwonsa Temple and Anguksa Temple.

Finally, in July, 1913, the monk Uchida received land from twenty-nine local Gunsan Japanese Buddhist believers to build the temple, Dongguksa Temple (formerly Geumgangsa Temple); who, in turn, had received this land where Dongguksa Temple is currently located from two large Japanese land owners named Kumamoto and Miyazaki.

After the liberation of the Korean peninsula from the yoke of Japanese oppression on August 15th, 1945, by the U.S. military, the temple would resume functioning as a temple in 1947. The Korean Buddhist monk Kim Nam-gok (1913-1983) would change the name of the temple from Geumgangsa Temple to Dongguksa Temple. And Dongguksa Temple was registered as a subsidiary temple to the neighbouring Jogye-jong Order temple, Seonunsa Temple, in 1970.

In total, Dongguksa Temple is home to two Korean government recognized historical artifacts. First, is the Clay Sakyamuni Buddha Triad and Excavated Relics of Dongguksa Temple, which is Korean Treasure #1718. And the other is the Daeung-jeon Hall of Dongguksa Temple, which is National Registered Cultural Heritage #64.

Temple Layout

You first make your way towards the rather unassuming temple grounds of Dongguksa Temple up side streets. The temple is situated next to an elementary school. Furthermore, it’s located on a compact piece of land and backed by the beautiful bamboo forest of Mt. Wolmyeongsan (101.3 m). Up a slight incline to your left, you’ll suddenly arrive at the gates of the temple. The original name of the temple, Geumgangsa Temple, can still faintly be seen on the entry gate posts to the temple; however, they have been vandalized.

Past the entry gate, and now squarely standing in the centre of the compact temple grounds, you’ll instantly realize that this temple is unlike any other in Korea. The style of the Daeung-jeon Hall, which stands in the middle of the temple grounds, is built architecturally in the style of the Edo period (1603-1868). The Daeung-jeon Hall consists of a single eaves without the traditional Korean dancheong colours. In fact, the entire Daeung-jeon Hall is void of the traditional dancheong colours common to all Korean Buddhist temples. Instead, the Daeung-jeon Hall is stripped of these colours and left remaining in a far more traditional simplistic Japanese Buddhist temple colour motif. Also, its roof is long and slopping with a high pitched design. The outer walls of the building have several windows, which is also uncommon to Korean Buddhist architecture. Also what differentiates this Japanese designed Daeung-jeon Hall is the connecting hallway from the main hall to the monks’ living quarters known as “Yosachae” in Korean.

When you first approach the front entry to the Daeung-jeon Hall, you’ll notice that there are a pair of sliding wooden doors that need to be pushed open to gain entry to the main hall. These steep, horizontal sliding doors are another feature of the Japanese architecture of the Daeung-jeon Hall at Dongguksa Temple. Stepping inside the Daeung-jeon Hall, another feature that you’ll find dissimilar from Korean temples are the four pillars surrounding the main altar. As for the triad of statues on the main altar, they date back to 1650, and they’re Korean Treasure #1718. The triad is a rare combination inside a Daeung-jeon Hall with Seokgamoni-bul (The Historical Buddha) in the centre joined by two of the Buddha’s principal disciples of Ananda and Mahakasyapa.

To the immediate left of the main altar triad is a painting dedicated to Sanshin (The Mountain Spirit) which is joined to the left by a shrine dedicated to Jijang-bosal (The Bodhisattva of the Afterlife). And to the immediate right of the main altar triad is a painting dedicated to Dokseong (The Lonely Saint) which is joined to the right by the Shinjung Taenghwa (Guardian Mural). It’s also to the right of these paintings that you find the entry to the corridor that leads towards the Yosachae. While the Yosachae was once the residence to the Japanese monks that once called the temple home, it’s now an administrative office at Dongguksa Temple.

The other temple structures that visitors can explore at Dongguksa Temple are situated to the left of the Daeung-jeon Hall. And like the Daeung-jeon Hall, they are built in the style of Japanese architecture. The first is the diminutive Cheonbul-jeon Hall. Stepping inside the Cheonbul-jeon Hall, you’ll find a contemplative statue of Mireuk-bosal (The Future Buddha) surrounded by a thousand tiny golden statues of Seokgamoni-bul (The Historical Buddha). And the exterior, like the Daeung-jeon Hall, is void of the traditional dancheong colours.

To the left of the Cheonbul-jeon Hall, you’ll find the Japanese style bell pavilion with a small bronze bell inside it. Surrounding the Jong-ru are a couple dozen divinity stones. There’s also a small lotus pond to the left of the Japanese style Jong-ru, as well. And more recently, “The Statue of a Girl of Peace in Gunsan,” meant to symbolize the suffering of Korean Comfort Women, was added to the temple grounds in August, 2015 to commemorate the suffering of Koreans during Japanese Colonial Rule. Just beyond this statue is the side entry to the temple grounds at Dongguksa Temple.

How To Get There

From the Gunsan Intercity Bus Terminal, you’ll need to take Bus #33, #53, #54, #71, or #82, and get off at the “Myeongsan Sageo-ri – 명산 시거리” bus stop. The bus ride should take anywhere from ten to fifteen minutes. From where the bus drops you off, you’ll need to walk an additional one hundred metres, or two minutes, first to the west and then to the south, until you finally arrive at Dongguksa Temple.

Overall Rating: 7.5/10

So much of Dongguksa Temple’s overall rating and impressions are interconnected with its troubled past. You won’t find anything resembling Dongguksa Temple throughout the rest of South Korea. Its Japanese-style architecture stands out for its uniqueness against the backdrop of Korean architecture and colours. Dongguksa Temple stands as a monument to all that the Korean people have suffered and overcome. And while it may be difficult to visit with its tragic history in mind, it’s worth it all the same.

The vandalized sign at the entry of Dongguksa Temple.
The beautiful grounds at Dongguksa Temple.
The Japanese-style Daeung-jeon Hall.
A closer look at the entry to the main hall.
The colourless eaves of the Daeung-jeon Hall.
Inside the Daeung-jeon Hall with the Korean Treasure triad resting upon the main altar.
The corridor, which now acts as the administration office, once led into the Yosachae (monks’ dorms).
The Yosachae.
A look up at the unpainted exterior of the Daeung-jeon Hall.
The neighbouring Cheonbul-jeon Hall.
A look inside the Cheonbul-jeon Hall with a contemplative Mireuk-bosal (The Future Buddha) resting on the main altar surrounded by a thousand golden statues of Seokgamoni-bul (The Historical Buddha)
The Japanese-style bell pavilion at Dongguksa Temple with the statue of “The Statue of a Girl of Peace in Gunsan” to the left.
The small lotus pond at Dongguksa Temple.
And a view over the shoulder of “The Statue of a Girl of Peace in Gunsan” towards the Daeung-jeon Hall.

(으)리라(고) - Intermediate Grammar | Korean FAQ

The grammar form (으)리라(고) is an intermediate level form which gets used commonly in both speech and writing. And although it has a bit of an old style feeling, it's still used today and you should be aware of it.

Fortunately, this form is simpler than it looks, and even has a modern equivalent (sort of) that can help it make more sense.

In this video I summarize how to use (으)리라(고) in just 5 minutes.

The post (으)리라(고) - Intermediate Grammar | Korean FAQ appeared first on Learn Korean with GO! Billy Korean.

Dongmyeong Bulwon – 동명불원 (Nam-gu, Busan)

The Cheonwangmun Gate at Dongmyeong Bulwon in Nam-gu, Busan.

Temple History

Dongmyeong Bulwon is located in the southern part of Busan in Nam-gu. In fact, it’s situated just south of the U.N. Cemetery in Busan and just north of Mt. Bongorisan (173.3 m). The name of the temple might sound a bit strange because it doesn’t end with the common “sa” suffix. Instead, the temple is considered a “Bulwon” which means “The Buddha’s Oath” in English. What this specifically means is a reference to the Buddha making an oath to save all sentient beings.

Dongmyeong Bulwon is a modern temple. It was first opened on May 22nd, 1977. In total, the Dongmyeong Bulwon grounds measure 2,700 pyeong, or 9,000 square metres in size. Dongmyeong Bulwon was built by the late Chairman of Dongmyeong Wood, Kang Seok-jin. It was built for the good luck of the ten thousand families of the workers that worked at the Dongmyeong Wood factory. It was also built for Kang’s deceased parents and the prosperity of Korea.

One of the temple’s key features is the massive Brahma Bell that’s the largest of its kind in Korea. It weighs an impressive twenty-seven tons, which is six tons more than the famed Emile Bell in Gyeongju. As for its design, it has Bicheon (Flying Heavenly Deities) adorning it, and it’s impressive in both size and beauty.

Temple Layout

When you first arrive at the temple, and turn left off of the busy Busan street, you’ll be greeted by one of the more impressive Cheonwangmun Gates in all of Korea. Sitting inside of this gate are four towering, and menacing, statues of the Four Heavenly Kings. They are dressed regally; and yet, they are quite intimidating. They are trampling underfoot some of the more diabolical demons that you’ll find inside a Cheonwangmun Gate. This gate is adorned with a large lion-headed door knocker, as well as a metal manja (swastika). It also has two anime-like paintings of Miljeok Geumgang and Narayeon Geumgang on the temple courtyard side of the Cheonwangmun Gate, as well.

As you first enter the temple courtyard, you’ll notice the Jong-ru (Bell Pavilion) to your left. This is the structure that houses the amazing twenty-seven ton Brahma Bell. To your right, on the other hand, is the Gwaneum-jeon Hall. Housed inside this temple shrine hall, you’ll find a tranquil statue dedicated Gwanseeum-bosal (The Bodhisattva of Compassion) seated in the centre of the main altar. In Gwanseeum-bosal’s right hand, you’ll find that she’s holding a medicinal bottle of ambrosia. Joining this seated statue of Gwanseeum-bosal on the main altar is a dongja (attendant) to the right and a fierce image of Yongwang (The Dragon King) to the left.

All the structures and statues at Dongmyeong Bulwon are quite large, but it’s the mammoth two-story Daeung-jeon Hall that’s the largest. In fact, it’s one of the largest main halls that you’ll find at a Korean Buddhist temple. Unfortunately because it’s made from concrete, some of the Daeung-jeon Hall’s exterior paintings are already fading. As a result, the exterior isn’t the most aesthetically pleasing to the eye. However, with all that being said, the cavernous interior of the Daeung-jeon Hall is beautiful. Sitting on the main altar are three large statues. Sitting in the centre of this triad is Seokgamoni-bul (The Historical Buddha). This image is joined on either side by Yeondeung-bul (The Past Buddha) and Mireuk-bul (The Future Buddha). Looking up at the ceiling of the Daeung-jeon Hall, you’ll notice an impressive dragon mural. To the right of the main altar is a painting and statue dedicated to Jijang-bosal (The Bodhisattva of the Afterlife). And to the left is a rather plain Shinjung Taenghwa (Guardian Mural).

Out in front of the Daeung-jeon Hall, you’ll find two highly original pagodas. The pagoda to the left is Deokmang-tap, while the pagoda to the right is named Budeok-tap. Both pagodas are nearly identical in appearance. These pagodas are five stories high; and rather interestingly, between the fourth and fifth story, you’ll find four smaller sized pagodas. They almost look like a rook in chess.

To the left of these pagodas and the Daeung-jeon Hall, you’ll find two additional temple shrine halls. The first is the Nahan-jeon Hall which houses sixteen beautifully crafted images of the Nahan (The Historical Disciples of the Buddha). These statues then surround a large golden statue of Seokgamoni-bul that sits in the centre of the main altar. And to the right of the Nahan-jeon Hall is the Geukrak-jeon Hall. This temple shrine hall is a little hidden behind shrubbery that grows extensively throughout the entire temple grounds. Sitting on the main altar of the Geukrak-jeon Hall is a statue of Amita-bul (The Buddha of the Western Paradise). This statue is flanked on the main altar by Gwanseeum-bosal and Daesaeji-bosal (The Bodhisattva of Wisdom and Power for Amita-bul).

Almost hidden away, and up a set of stairs to the left of the Daeung-jeon Hall, is an upper courtyard that houses three shaman shrine halls. The first of these three is the Dokseong-gak Hall. The large statue of Dokseong (The Lonely Saint) that sits inside this shaman shrine hall wears long, regal clothes. The next shaman shrine hall is the Chilseong-gak Hall. Housed inside this temple shrine hall is a beautiful statue and painting dedicated to Chilseong (The Seven Stars). And the final shaman shrine hall at Dongmyeong Bulwon is the Sanshin-gak Hall. Housed inside this hall is another large sized statue; this time, dedicated to Sanshin (The Mountain Spirit). Sanshin is joined by an even larger statue of his accompanying tiger.

How To Get There

To get to Dongmyeong Bulwon, you’ll first need to take the Busan subway until you get to Daeyeon Station, which is stop #213. From there, go out exit #10 and walk towards the U.N. cemetery, which will take about fifteen minutes. From the U.N. cemetery, you’ll need to walk an additional fifteen minutes towards the mountains. The signs along the way should help guide you towards the Dongmyeong Bulwon temple grounds.

Overall Rating: 7/10

Everything at Dongmyeong Bulwon seems to be large in size. With its massive statues inside each of the temple shrine halls. Additionally, have a look at the impressive Cheonwangmun Gate (both inside and out), the statue of Yongwang inside the Gwaneum-jeon Hall, and the pair of uniquely designed stone pagodas out in front of the Daeung-jeon Hall. The temple grounds are a peaceful escape from the hustle and bustle of city life. The only drawback is that most of the temple structures appear to be made of concrete.

Damun Cheonwang who is one of the Four Heavenly Kings inside the Cheonwangmun Gate.
The anime-like Narayeon Geumgang on the courtyard side of the Cheonwangmun Gate.
The Jong-ru (Bell Pavilion) at Dongmyeong Bulwon.
A look inside the Gwaneum-jeon Hall: Yongwang (left), Gwanseeum-bosal (centre), dongja (right).
A look up at the two-story Daeung-jeon Hall with the unique five story pagoda out in front of it.
A closer look at the uniquely designed five-story stone pagoda at Dongmyeong Bulwon.
A look inside the massive Daeung-jeon Hall.
The main altar inside the Geukrak-jeon Hall.
A look up at the Lonely Saint inside the Dokseong-gak Hall.
Next to the Dokseong-gak Hall is the Chilseong-gak Hall.
And the final shaman shrine hall at Dongmyeong Bulwon is the Sanshin-gak Hall.

Native Korean teacher versus non-native Korean teacher | A Glass with Billy

Which is better, a native or non-native Korean teacher?

Both have their strengths and weaknesses, but exactly what are those? Is there a reason someone should not choose a native teacher, or should not choose a non-native teacher (such as myself)?

I met up with "Korean Jream" and we shared which one you should choose, and why.

The post Native Korean teacher versus non-native Korean teacher | A Glass with Billy appeared first on Learn Korean with GO! Billy Korean.

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