Video Games as the Fear-Mongering, Pop Adjunct of America’s post-9/11 ‘forever wars’

Even tea-partying righties should be pretty shocked at this shameless, exploitative (and wildly inaccurate) manipulation of Americans’ post-9/11 paranoia as a marketing gimmick. And you thought 24 was off the air. Well here’s the video game version, all designed to scare you s—less – for cash. When the Homeland Security Department terrified the country 10 years ago by telling us to buy ducktape and sheetwrap, at least they had public safety goals, however confusedly, in mind. But this pseudodocumentarian ‘they’re-everywhere!-no-one-is-safe!’ crap is just to shill some video game. Bleh.

And Oliver North? Good lord – the guy violated the appropriations clause, the Logan Act, and who knows how much other statute, and should have been in jail next to Frank Colson. Yet this guy is credible for the (apparently) largest entertainment franchise in the world now? Wow. H/t to Kotaku: “What does this say, then, about the market for a game like Call of Duty? Does Activision really believe its core market is so full of gun-crazy, right-wing types that it feels entirely comfortable employing Oliver North as someone to help sell the game?”

Activision’s Modern Warfare series has a well-known, morally dubious (yet best-selling)record of militaristic, brutality-celebrating, war-glorifying gaming, but invoking Oliver North’s pseudo-gravitas for right-wing street cred must be a new low. Is the first-person shooter genre now politicized too? So Sarah Palin’s ‘Real Americans’ blow away the commies and terrorists with extreme prejudice, while you wimpy liberals play girlie games like Final Fantasy or something? The red state-blue state divide has come to your Xbox too. How nice; how healthy for democracy. Is it necessary to remind all those Tea Parties who adore the Constitution that North blatantly, repeatedly violated the appropriations clause of said ‘sacred,’ ‘holy’ end-all-be-all document?

At a time when the President is asserting an unprecedented right to kill overseas Americans without Constitutional protections, we really don’t need yet another wildly overhyped, quick-cut, paranoia-inducing threat assessment. This stuff is pummeling our democracy and leading to all sorts behavior, like warrantless wiretaps or the Patriot Act, that we’d never tolerate otherwise. Somewhere neocons are smiling, because I guess we all need our own drone now, right?

The irony too is how baldly this ‘documentary’ contradicts the actual social science work on war – you know, from people who actually know what the hell they’re talking about, like Pinker, Goldstein, the democratic peace, nuclear peace, Long Peace, or security community theorists. War seems to be becoming less frequent, less cost-beneficial, more hemmed-in with rules and norms, and less general (i.e., not involving all the system’s big players anymore). If there’s one thing just about everybody in IR today seems to agree on, it’s that the US spends way, way more money on defense than it needs to. But I guess there’s no money in a game entitled ‘Threatlessness,‘ so let’s amp up the fear-factor by rolling out the Gordon Liddy of the Reagan administration to freak out the consumer.

More generally, I find it pretty worrisome just how brutal post-9/11 American geopolitical entertainment has become. I don’t mean violent; many movies and games are violent, even graphically so. Rather I am thinking of unashamed brutality, the relish for pro-American killing, the zealous bloodlust that’s morally fig-leafed by American patriotism so as to be defensible to the viewer . The same people who cheered for Rick Perry’s talibanic enthusiasm for the death penalty and waterboarding are thrilled to see the gleeful embrace of torture, mass-killings, and executions in even mainstream, hugely popular franchises like Modern Warfare, 24, or Transformers.

24 constantly found a way to work in torture by the good guys, as if to say that real men, genuinely committed to America, don’t have time for rules and due process. Lawyers are for sissies and  liberals; patriots will gladly go over to Cheney’s ‘dark side’ beat the hell out of anyone, violate any law, to defend America. Modern Warfare 2 became globally notorious by requiring the gamer to participate in a mass atrocity (machine-gunning dozens of civilians). In Battle: Los Angeles, the American hero performed a battlefield vivisection on wounded opponent. In Modern Warfare 3, the protagonists shoot a defenseless, surrendered enemy in the face even after he has cooperated in giving information. Homefront portrays the execution of parents in front of their screaming child, has the gamer hide under the bodies of a mass grave, and later encourages you not to waste ammunition on enemies on fire after an airstrike. Transformers 3 includes four battlefield executions (because it’s a movie for kids you know) and gives the antagonist the startling, downright revelatory post-9/11 line: ‘We will kill them all in the name of freedom.’ Wow – why not just give Michael Bay a job at some neocon think-tank? EA’s Battlefield 3, in the same year as the US is debating striking Iran, spun up a story of Iranian-sponsored MWD use in Western cities which provokes a US invasion of Iran. Good lord; Bill Kristol himself could have written that script. And I have no doubt after this paranoid video above that Black Ops 2 will include some gratuitously vicious sequence packaged as defending America.

The basic trick in all these the-defense-of-America-requires-cruelty narratives is to structure the story with such extreme bad guys and circumstances that the viewer can morally excuse the American hero for egregious violations the liberal rules of engagement that would otherwise get the cop/soldier/good guy rightfully thrown in jail as a dangerous sociopath. 24’s constant portrayals of torture justified by the wildly unrealistic ticking time-bomb scenario is the most obvious example. So long as Jack Bauer can say he’s trying to save a million people in LA, he’s allowed to do anything – torture, maim, execute civilians, violate due process, steal passwords, etc.

This stuff is tea party nirvana – strong men stand-up for America while liberal sissies at the ACLU worry about lawyers for terrorists. Conveniently the hero’s brutality is shielded/morally excused by some lame narrative fig-leaf about MWDs or alien invasions. But the real point is to show vengeful, post-9/11 killing on behalf of America without feeling guilty about it.This is why Michael Bay, Kiefer Sutherland, these Activision designers and the rest are so scary – it’s not the war and violence; it’s the gleeful bloodlust.

So if you wonder why stories about American misbehavior in Afghanistan, like trophy taking or killing squads, get so little attention, how about observing how coopted the post-9/11 geopolitical entertainment industry is constantly presenting America’s opponents as unworthy of any rights, justifiably tortured, and fit to be wiped out with extreme prejudice at all time. If you wonder why Apocalypse Now or Platoon is vastly more gripping and engaging, while you can’t even remember the story of last summer Transformers, it’s because in the real world, the ticking bomb scenario almost never happens; Jack Bauer’s 100% certainty in the bomb threat, which justifies his tearing out some Muslim’s fingernails or something, is narrative figment. Endless studies of war and intelligence gathering have told us just how much confusion and uncertainty there is. This is the whole reason we have the rules of engagement. This why Jack Bauer would have been in prison for life in the real, no matter how much the Tea Party loves him. The bad guys, unlike the world of Michael Bay and Fox News, usually aren’t all wholly unredeemable villains. Even after the so-called ’good war,’ de-nazification didn’t lead to mass executions in the Wehrmacht.

I don’t want to sound like some boring old dude who doesn’t get this stuff. I like gaming. I waste lots of time on it. I enjoy FPS’s like Halo, and I’ve played Modern Warfare 2 and 3. What unnerves isn’t the thrill of the violence. (That is also morally dubious, of course but given that it underlines the viewing rush of action movie ever made, hold that for a moment.) What I find really noticeable is the post-9/11 gleeful depiction of carnage. 9/11 ‘took the gloves off’ and allowed directors like Michael Bay or the Activision guys to unleash all their inner xenophobia, cruelty, militarism, and sheer bloody-mindedness, and the Tea-Party loves them for it. Every time I see one of these movies in Korea – Battleship and Acot of Valor just came to Korea – I always wonder what these foreigners must think of us and this endless diet of movie violence we produce. One movie after another of over-the-top violence, huge CGI, American flags waving, uniforms and saluting, soldiers barking canned, macho dialogue like ‘Marines never give up,’ killing, and then more killing. I understand why my students tell me America is an empire; we sure entertain ourselves as if we are. I know that the Pentagon approves Hollywood scripts before it lends its hardware, but I can’t imagine that even the brass really wants only this kind of jingoistic pap. Who wouldn’t exchange one Apocalypse Now for all these awful rah-rah post-9/11 movies? But they gross huge amounts of course, as will Black Ops 2, I have no doubt. And want tea-partier wouldn’t want to help Oliver North’s rehabilitation to credibility?