About K-Pop in Europe (an interpretation)
As it may not be common knowledge yet, I was teaching Italian secondary school students in Ireland for a month for pocket money while spending the summer here with Herself and +1. It has been fun.
Of course I explained to them that I did not actually live in Ireland, and that I was a resident of Korea (no not North, South). This got a reaction sometimes, and other times it didn’t. The students I was teaching were nice, with a decent standard of English, but I was lucky to have the higher levels, as there were other teachers who were considerably less fortunate. But anyway.
With one class the students were mostly around 17, they liked music, boys/girls, fashion, and having a good time, like most people their age. They were, for want of a better word, normal. At the end of an early class, some students came to me and asked me if I listened to K-Pop (note: they didn’t ask if I knew it), but they gave me an appropriately skeptical look as they asked me. In their defence I think they were looking for a way to start a conversation.
Well, anyway, it turns out they were familiar with all the hit makers, and they were particularly fond of Shinee (or however the fuck you spell it). I wretched, naturally. “No, you don’t like it?” they asked. I shook my head with pursed lips and explained about the noise pollution and saturation in Korea. They looked like they understood.
“Well”, said one, “I like it. It’s fun. I mean I don’t love it. It’s fun. It’s something to listen to. But, like my favourite band is Muse, so… “. I think she was hoping I wouldn’t judge her too harshly. And we left it at that.
I suppose because I am not left with K-Pop burnt ears that I can approach this subject with a mature outlook. What I got from this exchange was that, yeah we know it’s poppy manufactured crap but it’s got a certain amount of quirkiness to it that makes it different from the usual manufactured pop crap. Which I can recognise from a musical perspective.
What’s also emerged from this thought process was that, you know the way you see those programmes in Korea showing millions and millions of European kids going to a K-Pop showcase in Paris or wherever, the reason why people are excited is because they’re at a concert and concerts are exciting, and people will say anything when a camera is put in their face when they’re excited.
Anyway, maybe I’ll look a little more favourably on the K-Pop in Europe thing as something musically different, and that’s why people listen to it, for a change, and because it’s fun. Which I suppose it is when you aren’t subjected to listening to it all the fucking time.
From this lesson maybe I’ll try to be less of a cynic. Actually that won’t happen. Maybe I’ll be more mature in my cynicism. Perhaps.